Renee Olstead's 'What a Difference a Day Makes' had a release date set for May 11, 2004. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Renee Olstead". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. What a Difference a Day Makes is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With What a Difference a Day Makes by Renee Olstead having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smile | Rick Hale | F Minor | 3 | 4A | 102 BPM | ||
| The Boulevard of Broken Dreams | Jacintha | E Minor | 2 | 9A | 151 BPM | ||
| A Whiter Shade of Pale | Halie Loren | A Minor | 4 | 8A | 145 BPM | ||
| C'est si bon | Lara Louise, Mads Tolling | C Minor | 2 | 5A | 135 BPM | ||
| Call Me | Eliane Elias | F Minor | 3 | 4A | 107 BPM | ||
| Body And Soul | Ruth Cameron | F Major | 1 | 7B | 123 BPM | ||
| Autumn Breeze | Kaiak, Viktoria Tolstoy | G Major | 3 | 9B | 80 BPM | ||
| You Were Meant for Me | Leo Sidran, Chrystel Wautier | F♯ Major | 3 | 2B | 145 BPM | ||
| By the Time I Get to Phoenix | VARITDA, Koh Mr. Saxman | A Major | 3 | 11B | 100 BPM | ||
| Beatles Medley : Golden Slumbers/ Here, There And Everywhere | Roberta Gambarini | A♭ Major | 2 | 4B | 175 BPM | ||
| Compliments of the Blues | Masterwerk | D♭ Minor | 1 | 12A | 120 BPM | ||
| I Have But One Heart/Marinariello | Giada Valenti | B♭ Minor | 2 | 3A | 176 BPM | ||
| Fever | Lara Louise | F♯ Major | 2 | 2B | 98 BPM | ||
| You Hit the Spot | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | A Major | 4 | 11B | 103 BPM | ||
| And So It Goes | Sara Gazarek | G Major | 0 | 9B | 129 BPM | ||
| Bye Bye Blackbird | Dave Damiani & the No Vacancy Orchestra, Renee Olstead | C Minor | 0 | 5A | 73 BPM | ||
| Waitin' For The Train To Come In | Ruth Cameron | C Major | 2 | 8B | 100 BPM | ||
| Someone To Love | Erin Boheme | B Major | 2 | 1B | 80 BPM | ||
| H I M | Louis Amanti | B♭ Major | 2 | 6B | 101 BPM | ||
| Why Should I Care | Viktoria Tolstoy | B♭ Major | 2 | 6B | 60 BPM | ||
| Shall We Dance? | Stacey Kent, Colin Oxley, David Newton, Jasper Kviberg, Jim Tomlinson, Simon Thorpe | B♭ Major | 3 | 6B | 125 BPM | ||
| What Love Is | Erin Boheme | F Minor | 2 | 4A | 102 BPM | ||
| A Sunday Kind Of Love | Ruth Cameron | C Minor | 2 | 5A | 126 BPM | ||
| That Ole Devil Called Love | Etta Jones, Houston Person | D Minor | 1 | 7A | 112 BPM | ||
| Alone Together | Lara Louise, Grant Levin | B Minor | 6 | 10A | 85 BPM |