"Ever Since We Met" by HOYO-MiX had its release date on July 24, 2024. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 20 in Ever Since (Tears of Themis Game Original Soundtrack) by HOYO-MiX. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ever Since We Met is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ever Since We Met by HOYO-MiX is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony of the Depths | Samuel Hung | D Minor | 4 | 7A | 100 BPM | ||
| ENDER LILIES | Binary Haze Interactive, Mili | C Minor | 2 | 5A | 149 BPM | ||
| 運命の夜 | Kenji Kawai | D♭ Major | 9 | 3B | 144 BPM | ||
| The Waters Above | Vincent Diamante | D Major | 1 | 10B | 82 BPM | ||
| Teyvat | Genshin Vibe | E Minor | 4 | 9A | 132 BPM | ||
| Drifting Blossom | 塞壬唱片-MSR, 越 | F Major | 3 | 7B | 140 BPM | ||
| The Little Monster | Path to Nowhere | C Minor | 1 | 5A | 128 BPM | ||
| 傷つく誰かの心を守ることができたなら | ロビン, HOYO-MiX, Chevy | E Major | 8 | 12B | 128 BPM | ||
| Kaine / Escape | SQUARE ENIX MUSIC | G Minor | 7 | 6A | 128 BPM | ||
| String Theory - Instrumental | vally.exe, SoundCirclet | A Minor | 6 | 8A | 163 BPM | ||
| Neuvillette Font of All Waters | Vetrom | G Major | 6 | 9B | 153 BPM | ||
| イオルフ、別れの一族 | Kenji Kawai | A♭ Major | 2 | 4B | 81 BPM | ||
| Scordatura | 塞壬唱片-MSR | E Major | 5 | 12B | 120 BPM | ||
| SCARLET NEXUS | SCARLET NEXUS Sound Team | C Minor | 3 | 5A | 82 BPM | ||
| Venari strigas | 梶浦 由記 | B♭ Minor | 9 | 3A | 160 BPM | ||
| 万古 - 原神同人作品“尘光”配乐 | 暗猫 | G Minor | 4 | 6A | 117 BPM | ||
| Dangerous Truth | Epic Seven | A Major | 1 | 11B | 78 BPM | ||
| City Ruins - Shade | 岡部啓一 | D Minor | 7 | 7A | 112 BPM | ||
| a fairy tale - Remastered 2025 | Yuria Miyazono | E♭ Minor | 3 | 2A | 132 BPM | ||
| My Curse, My Fate - Instrumental | Sān-Z, HOYO-MiX | A♭ Minor | 6 | 1A | 168 BPM | ||
| Ad Oblivione | Yu-Peng Chen, HOYO-MiX, Zach Huang | E♭ Major | 0 | 5B | 96 BPM | ||
| Meteor Trails | Nikki | C Major | 1 | 8B | 80 BPM | ||
| Hikari - 游戏《战双帕弥什: 九龙环城》主题曲 | Vanguard Sound, GhostFinal | D Minor | 8 | 7A | 174 BPM | ||
| Eula's Theme | Frostudio Chambersonic | A Minor | 6 | 8A | 120 BPM | ||
| ケイシーの罪 | 加藤慶久 | A Major | 1 | 11B | 162 BPM |