R. Stevie Moore's 'The Bodycount' had a release date set for 2001. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in R. Stevie Moore's "Great Test Hits" album is number 19 out of 24. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Bodycount's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Bodycount by R. Stevie Moore to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pillars | Martin Rev | E Major | 3 | 12B | 74 BPM | ||
| Debbie | R. Stevie Moore | A Major | 4 | 11B | 125 BPM | ||
| Carried Away - 2003 Remaster | Television | D Major | 4 | 10B | 117 BPM | ||
| I Wish I Could Sing | R. Stevie Moore | A Major | 4 | 11B | 125 BPM | ||
| Like Flies On Sherbert | Alex Chilton | G Major | 8 | 9B | 123 BPM | ||
| Clarity | John S. Hall, Kramer | A Major | 6 | 11B | 92 BPM | ||
| Tidal Wave | The Apples In Stereo, Robert Schneider | G Major | 6 | 9B | 132 BPM | ||
| Yesterday, Today and Tomorrow | Charlie Megira | C Major | 3 | 8B | 114 BPM | ||
| Andy Summers | Tonstartssbandht | E Major | 7 | 12B | 92 BPM | ||
| Whatever I Do Is Right | The Clean | C Major | 9 | 8B | 75 BPM | ||
| Put Some Sugar on It | Half Japanese | G Major | 6 | 9B | 124 BPM | ||
| fourteen | Beat Happening | D Major | 5 | 10B | 151 BPM | ||
| The Drum | Slapp Happy | A♭ Major | 7 | 4B | 155 BPM | ||
| Heavy Head | Thinking Fellers Union Local 282 | D♭ Minor | 8 | 12A | 83 BPM | ||
| Goodbye My Lonliness | Leland | B♭ Major | 7 | 6B | 142 BPM | ||
| Thank You God | Gce Godsaves | B♭ Minor | 7 | 3A | 176 BPM | ||
| Incantation | Bruce Haack | D Major | 7 | 10B | 80 BPM | ||
| Ooh, I Don't Feel Nothin' | Mande Dahl | A♭ Major | 7 | 4B | 98 BPM | ||
| Walking the Cow | Daniel Johnston | B♭ Minor | 3 | 3A | 142 BPM | ||
| How Come You’re Such A Hit With The Boys, Jane - Alternate Version | Dolly Mixture | D Major | 5 | 10B | 83 BPM | ||
| Roadie For The Band | Phil Cordell | A Major | 9 | 11B | 138 BPM | ||
| Flying Saucer Safari | Suburban Lawns | B Minor | 7 | 10A | 134 BPM | ||
| My Offwhite Flag | Dirty Projectors | B Major | 7 | 1B | 119 BPM | ||
| Anytime, Cowboy | Country Teasers | A♭ Minor | 8 | 1A | 140 BPM | ||
| Ode To Street Hassle | Spacemen 3 | F♯ Major | 4 | 2B | 112 BPM |