Wayne Krantz's 'THESE INSTRUMENTAL PIECES WERE' had a release date set for January 21, 2015. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. THESE INSTRUMENTAL PIECES WERE's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wayne Krantz's "LONG TO BE LOOSE (Remaster)" album is number 1 out of 10. On top of that, Japan appears to be the country where this track was created. In terms of popularity, THESE INSTRUMENTAL PIECES WERE is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of THESE INSTRUMENTAL PIECES WERE by Wayne Krantz to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Groovin' High | Jeff Berlin | C Minor | 5 | 5A | 144 BPM | ||
| After Hours | Tribal Tech | E Minor | 6 | 9A | 119 BPM | ||
| Future | Wayne Krantz | C Major | 3 | 8B | 90 BPM | ||
| Just Like the Day | Pat Metheny Trio | G Major | 1 | 9B | 98 BPM | ||
| Evocations | The Brecker Brothers | E Minor | 3 | 9A | 80 BPM | ||
| Seek and Find | Scott Henderson, Tribal Tech | F♯ Major | 5 | 2B | 82 BPM | ||
| Cape Fear | The Dave Weckl Band | B Minor | 7 | 10A | 129 BPM | ||
| Waltz for Bill | Antoine Boyer | F Minor | 2 | 4A | 119 BPM | ||
| All The Children | Stanley Jordan | D♭ Major | 2 | 3B | 114 BPM | ||
| Bright Green | Cecil Alexander | B Minor | 4 | 10A | 120 BPM | ||
| Running On Line | Dennis Chambers, Brian Auger | B♭ Minor | 9 | 3A | 106 BPM | ||
| Joe Frazier | Bill Bruford | E Major | 6 | 12B | 117 BPM | ||
| Countdown | Victor Bailey | D Major | 6 | 10B | 160 BPM | ||
| Black Swan | Wayne Krantz | D Major | 5 | 10B | 110 BPM | ||
| Where Have I Known You Before | Return To Forever, Chick Corea | E Minor | 2 | 9A | 142 BPM | ||
| Where's Earth? | Steve Gadd Band, Walt Fowler, Kevin Hays, Jimmy Johnson, Michael Landau | D Major | 4 | 10B | 102 BPM | ||
| Soundcheck | Joshua Redman Elastic Band | B Minor | 4 | 10A | 115 BPM | ||
| Tricks | Bill Laurance, Michael League | B Minor | 2 | 10A | 103 BPM | ||
| The Zone | Dave Weckl Band | D Major | 7 | 10B | 102 BPM | ||
| Luna de Santiago | Carles Benavent, Jean-Marie Ecay | D Minor | 2 | 7A | 94 BPM | ||
| Fate (Subo) [For Konrad Klapheck] | Bob Malach, Wayne Krantz, Jasper Van't Hof | B Minor | 2 | 10A | 69 BPM | ||
| P.A.C. Man | Alain Caron | C Major | 6 | 8B | 105 BPM | ||
| Crimplene Doll | Walk This Way | B Minor | 1 | 10A | 75 BPM | ||
| Two And One | Julian Lage | C Major | 2 | 8B | 61 BPM | ||
| Special Treatment | Jazz Pistols | B Major | 7 | 1B | 124 BPM |