"And It's Still Too Loud" by Greyhaven had its release date on April 15, 2022. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "This Bright and Beautiful World". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, And It's Still Too Loud is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With And It's Still Too Loud by Greyhaven having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guillotine | Stray From The Path | F♯ Minor | 10 | 11A | 120 BPM | ||
| Technicolor Blues | Greyhaven | E Minor | 10 | 9A | 95 BPM | ||
| Gaping Wounds of Earth | END | E Minor | 9 | 9A | 114 BPM | ||
| Labyrinth | Above, Below | E Minor | 10 | 9A | 107 BPM | ||
| Jones | vianova, Chris Zuehlke | G Major | 9 | 9B | 110 BPM | ||
| Removal of the Copper Iris and the Lightning Pill | Frontierer, Ion Dissonance | C Major | 10 | 8B | 109 BPM | ||
| Web Of Lies | Joshua Travis, Andy Cizek, Stephen Taranto | D♭ Major | 10 | 3B | 160 BPM | ||
| Severance | Allt | C Minor | 10 | 5A | 165 BPM | ||
| Servant | Many Eyes | D Major | 9 | 10B | 180 BPM | ||
| Nor Hell A Fury | The Gloom In The Corner | B Minor | 10 | 10A | 104 BPM | ||
| Drip | Teeth | A♭ Major | 9 | 4B | 138 BPM | ||
| Chamber | Chamber | B♭ Minor | 10 | 3A | 147 BPM | ||
| Wraith | Half Me | D♭ Major | 10 | 3B | 105 BPM | ||
| Rosaria's Fingers | Darko US, Kyle Anderson | B♭ Major | 9 | 6B | 75 BPM | ||
| Kenshō | Above, Below | A Minor | 10 | 8A | 194 BPM | ||
| Diamond To Diamond | Greyhaven | A♭ Major | 9 | 4B | 142 BPM | ||
| Run Away Jay | Kaonashi | B♭ Minor | 10 | 3A | 117 BPM | ||
| Embodiment of Grief | END | D♭ Major | 9 | 3B | 78 BPM | ||
| The Counselor's Office: A Present Example of Past Procrastinations | Kaonashi | D♭ Major | 9 | 3B | 107 BPM | ||
| Sands of Sleep | END, Tanner Merritt | A♭ Major | 9 | 4B | 135 BPM | ||
| From The Backseat Of A Moving Car | Greyhaven | B Major | 10 | 1B | 136 BPM | ||
| Seam | Satyr | G Major | 10 | 9B | 132 BPM | ||
| Shadow Blur | Elision | B Minor | 10 | 10A | 135 BPM | ||
| This Cut Was the Deepest | The Tony Danza Tapdance Extravaganza | B Minor | 10 | 10A | 92 BPM | ||
| Basilisk | Conjurer | D♭ Major | 9 | 3B | 127 BPM |