Joe Ely's ' "Me And Billy The Kid - Live Version" was released on its scheduled release date, January 1, 1990. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joe Ely's "Live At Liberty Lunch" album is number 1 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Me And Billy The Kid - Live Version is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Me And Billy The Kid - Live Version by Joe Ely to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ditchweed | Otis Gibbs | D Major | 7 | 10B | 121 BPM | ||
| Every Night About This Time | Joe Ely | C Major | 5 | 8B | 87 BPM | ||
| Time Don't Wait | Marty Stuart And His Fabulous Superlatives | D Major | 6 | 10B | 144 BPM | ||
| Live Forever | Shaver | G Major | 3 | 9B | 99 BPM | ||
| Ford Econoline | Chuck Prophet | E Major | 8 | 12B | 85 BPM | ||
| Nuevo Laredo | Doug Sahm | C Major | 9 | 8B | 107 BPM | ||
| Me and Paul | Doug Sahm | E Major | 6 | 12B | 163 BPM | ||
| What Would Willie Do | Bruce Robison | E Major | 5 | 12B | 115 BPM | ||
| Buffalo Return to the Plains | Jimmy LaFave | A Major | 6 | 11B | 102 BPM | ||
| Truckstop In La Grange | Dale Watson | D Major | 7 | 10B | 146 BPM | ||
| When Sinatra Played Juarez | Tom Russell | D Major | 7 | 10B | 130 BPM | ||
| Gun Sale At The Church | The Beat Farmers | G Major | 8 | 9B | 140 BPM | ||
| Tobacco Road | Colvin & Earle | C Major | 7 | 8B | 127 BPM | ||
| I Can't Go Back To Austin | Doug Sahm | E Major | 5 | 12B | 128 BPM | ||
| Trudy And Dave | John Hiatt | D Major | 5 | 10B | 87 BPM | ||
| Fly Back Home | John Hiatt & The Goners | E Major | 9 | 12B | 107 BPM | ||
| Knee Deep in the Wakarusa River | Chuck Mead | A Major | 7 | 11B | 120 BPM | ||
| GRACE DRAWING NEAR | STEVE T.P. MOORE | G Major | 8 | 9B | 159 BPM | ||
| Harlem River Blues | Justin Townes Earle | G Major | 7 | 9B | 156 BPM | ||
| Nobody Home | Chris Smither | E Major | 10 | 12B | 142 BPM | ||
| I Got A Gig | Hayes Carll | E Major | 8 | 12B | 117 BPM | ||
| The Juarez Device (aka Texican Badman) | Terry Allen | N/A | N/A | N/A | 0 BPM | ||
| Leaving El Paso | Tom Russell | D Major | 4 | 10B | 118 BPM | ||
| Dry Town - Demo | Gillian Welch | E Major | 4 | 12B | 173 BPM | ||
| Third Rate Romance | Jesse Winchester | A Major | 6 | 11B | 109 BPM |