"We Must Get Used To Loneliness" by Keyvan Safarzadeh had its release date on January 1, 2021. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. We Must Get Used To Loneliness's duration is considered a little bit shorter than the average duration of a typical track. Since We Must Get Used To Loneliness only contains only one song in the album, we like to consider this song as a single. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, We Must Get Used To Loneliness is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since We Must Get Used To Loneliness by Keyvan Safarzadeh has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With We Must Get Used To Loneliness being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| People | Oliver Patrice Weder | G Minor | 2 | 6A | 129 BPM | ||
| In The Beginning There Was This | ERSATZ | G Minor | 2 | 6A | 120 BPM | ||
| Cast Away | Hiromori Aso | E♭ Minor | 3 | 2A | 64 BPM | ||
| Wonder to Wisdom | Abstract Aprils | D♭ Major | 1 | 3B | 76 BPM | ||
| Moth to a Flame | Droner | A♭ Major | 1 | 4B | 104 BPM | ||
| There's a pain in my heart which will break the wall | Mohsen Sokard | D Major | 0 | 10B | 65 BPM | ||
| The Only Thing Left | kwajbasket | E Major | 0 | 12B | 71 BPM | ||
| Sucof Ni Enots | kwajbasket | F♯ Minor | 0 | 11A | 65 BPM | ||
| Profundo | Calm DR | C Major | 0 | 8B | 87 BPM | ||
| Velvet Shield | Preslav Literary School | C Major | 0 | 8B | 69 BPM | ||
| Tragedy is Not the End | Keyvan Safarzadeh | F♯ Minor | 2 | 11A | 68 BPM | ||
| It's rainy | Keyvan Safarzadeh | E♭ Major | 2 | 5B | 66 BPM | ||
| it will find its way | flow3rkap | E♭ Major | 0 | 5B | 80 BPM | ||
| The World Until Yesterday | Paul Haslinger | D Minor | 1 | 7A | 66 BPM | ||
| 40,000ft (IV) | Aether | B♭ Major | 2 | 6B | 120 BPM | ||
| Weep | Fading Language | D♭ Major | 1 | 3B | 113 BPM | ||
| the great realization | nowt | D♭ Major | 1 | 3B | 136 BPM | ||
| were you ever here? | QVEST | C Major | 1 | 8B | 81 BPM | ||
| whispers from montreal | vernon | D♭ Minor | 1 | 12A | 76 BPM | ||
| Kalapas | Harlan Silverman | E Major | 1 | 12B | 120 BPM | ||
| Never Never | kwajbasket | E Minor | 0 | 9A | 69 BPM | ||
| Arising from Silence | Scarless Arms, Crows Labyrinth | B♭ Major | 0 | 6B | 68 BPM | ||
| Seagull | Eyolf | A♭ Minor | 1 | 1A | 143 BPM | ||
| between a rock and a hard place is better than being buried - piano version | gingerbeard man | F Major | 1 | 7B | 66 BPM | ||
| In Vacuo | Succession of Images | B♭ Major | 1 | 6B | 136 BPM |