A-P-M Productions's 'Countryside Romance' had a release date set for December 22, 2019. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 50 in A-P-M Productions, Vol. 3 by A-P-M Productions. The popularity of Countryside Romance is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Countryside Romance by A-P-M Productions is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tension Groove | A-P-M Productions | D♭ Major | 3 | 3B | 156 BPM | ||
| The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 159 BPM | ||
| Mozart Requiem Lacrimosa (from "Amadeus") [Piano Version] | The Wild Conductor | D Minor | 0 | 7A | 67 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Jenő Jandó | D♭ Minor | 0 | 12A | 163 BPM | ||
| Clari De Lune (Debussy) | Lincoln Mayorga | D♭ Major | 0 | 3B | 65 BPM | ||
| Nocturnes, Op. 9: No. 1 in B-Flat Minor | Emma Czaplica | F♯ Major | 1 | 2B | 212 BPM | ||
| Gymnopédie | Miriam Belotti | F Major | 0 | 7B | 71 BPM | ||
| Canto Ostinato for Solo Piano: Section 95 | Simeon ten Holt, Jeroen van Veen | B♭ Minor | 2 | 3A | 157 BPM | ||
| Balm (Scaled Down Version) | Peter Sandberg | B Major | 0 | 1B | 107 BPM | ||
| Mendelssohn: Songs Without Words, Book II, Op. 30: No. 6, Allegretto tranquillo, MWV U110 "Venetian Boat Song" | Felix Mendelssohn, Daniel Adni | F♯ Minor | 0 | 11A | 132 BPM | ||
| Lyon | Elliot Ziegler | D Minor | 1 | 7A | 122 BPM | ||
| La Clairière | Piano Novel | E♭ Major | 1 | 5B | 63 BPM | ||
| Reserve Rain | Edward Elysseus | F Minor | 1 | 4A | 114 BPM | ||
| Far and beyond | Charles Bolt | G Major | 2 | 9B | 120 BPM | ||
| Endless Time | Roberto Cacciapaglia | F Major | 2 | 7B | 135 BPM | ||
| In Metaphor, Solace | Luke Howard | B♭ Minor | 1 | 3A | 116 BPM | ||
| Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Excerpt) | Ludwig van Beethoven, Moura Lympany | D♭ Minor | 0 | 12A | 75 BPM | ||
| Valse Glacée | Tomasz Kraal | B♭ Minor | 0 | 3A | 174 BPM | ||
| Intervention | Gabriel Parker | D Major | 1 | 10B | 111 BPM | ||
| Doll | Bruno Sanfilippo | D♭ Major | 1 | 3B | 135 BPM | ||
| Nocturne in E-flat Major, Op. 9, No. 2 Watercourse | Escrows | E♭ Major | 0 | 5B | 132 BPM | ||
| Nocturnes, Op. 55: No. 1 in F Minor | Emma Czaplica | A♭ Major | 1 | 4B | 76 BPM | ||
| Nocturne in Tokyo | Remo Anzovino | G Minor | 1 | 6A | 95 BPM | ||
| Dreamweaver's Waltz | Marcel Andersen | F♯ Minor | 1 | 11A | 89 BPM | ||
| Passage of Time | William Ogmundson | A Minor | 1 | 8A | 111 BPM |