Michael Brook's 'Ultramarine' had a release date set for June 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 12 in Cobalt Blue by Michael Brook. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ultramarine's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ultramarine by Michael Brook is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Possibilities Are Endless | Atticus Ross, Leopold Ross, Claudia Sarne | F Major | 2 | 7B | 68 BPM | ||
| Skip Wave | Michael Brook | D♭ Major | 2 | 3B | 140 BPM | ||
| Hawk Punished | Ryuichi Sakamoto, alva noto, Bryce Dessner | C Major | 1 | 8B | 63 BPM | ||
| Are We Really So Different? | David Martijn | B♭ Minor | 1 | 3A | 200 BPM | ||
| Terminator Arrival / Reese Chased / Sarah on Motorbike | Brad Fiedel | G Minor | 2 | 6A | 79 BPM | ||
| Midnight Dream | Daniel Finot | F Minor | 5 | 4A | 111 BPM | ||
| Headlights - Main Title | Mark Isham | B♭ Minor | 1 | 3A | 123 BPM | ||
| Anacott Steal | Stewart Copeland | D♭ Major | 6 | 3B | 90 BPM | ||
| One Perfect Sunrise | Orbital | A♭ Major | 9 | 4B | 140 BPM | ||
| Technically, Missing | Trent Reznor and Atticus Ross | G Minor | 1 | 6A | 76 BPM | ||
| A Good Life Again | Rachel Portman, Michael Brook | D♭ Major | 4 | 3B | 145 BPM | ||
| Ava | Ben Salisbury, Geoff Barrow | F♯ Major | 0 | 2B | 68 BPM | ||
| Mi Padre | Grandes Tardes | E♭ Minor | 1 | 2A | 82 BPM | ||
| The Killing | Frans Bak, Josefine Cronholm | C Major | 6 | 8B | 115 BPM | ||
| Flood | Michael Brook | D Major | 1 | 10B | 77 BPM | ||
| Vortex | John Carpenter | A Major | 6 | 11B | 105 BPM | ||
| Run Program: Sentionauts | Sinoia Caves | D♭ Major | 5 | 3B | 114 BPM | ||
| City Of The Angels - From "To Live And Die In L.A." Soundtrack | Wang Chung | C Major | 6 | 8B | 107 BPM | ||
| 5 23 | Global Communication | E Minor | 4 | 9A | 110 BPM | ||
| Out Of The Furnace | Dickon Hinchliffe | D Minor | 4 | 7A | 90 BPM | ||
| Fallen Star | Djivan Gasparyan, Michael Brook | D Major | 2 | 10B | 94 BPM | ||
| Mesa | Hans Zimmer, Benjamin Wallfisch | C Major | 2 | 8B | 84 BPM | ||
| Melancholia | Jóhann Jóhannsson | G Minor | 2 | 6A | 103 BPM | ||
| THE BOUNTY: Main Theme | San Fernando Symphonic Assembly | F♯ Major | 1 | 2B | 84 BPM | ||
| Where Are They Now? | Michael Brook | D Major | 2 | 10B | 57 BPM |