Joan Shelley's 'Jenny Come In' had a release date set for September 4, 2015. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Over and Even". In this album, this song's track order is #9. In terms of popularity, Jenny Come In is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Jenny Come In by Joan Shelley having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| American Dream | Rainbow Girls | D Major | 4 | 10B | 86 BPM | ||
| Superlover | Birds of Chicago | E Major | 3 | 12B | 150 BPM | ||
| How Come You Call Me | Libby Rodenbough | D Minor | 3 | 7A | 84 BPM | ||
| 39 Green Lights | Rainbow Girls | B Major | 2 | 1B | 117 BPM | ||
| In My Corner | Charlotte Cornfield | C Minor | 4 | 5A | 135 BPM | ||
| In Spite Of All The Damage | The Be Good Tanyas | G Major | 2 | 9B | 132 BPM | ||
| Nature's Child | S.G. Goodman, Bonnie Prince Billy | B♭ Major | 1 | 6B | 84 BPM | ||
| Under the Night | Bedouine | A♭ Major | 2 | 4B | 134 BPM | ||
| The West Was Burning | Martha Scanlan | C Major | 4 | 8B | 122 BPM | ||
| Original Goodness | Marina Allen | F Major | 1 | 7B | 133 BPM | ||
| i don't always miss you | Dan Reeder | E Major | 2 | 12B | 100 BPM | ||
| Copper Kettle | Nora Brown, Stephanie Coleman | F Major | 1 | 7B | 78 BPM | ||
| Aurillac | Anna Mieke | E♭ Major | 2 | 5B | 132 BPM | ||
| Fawn | Joan Shelley | C Major | 1 | 8B | 95 BPM | ||
| Brighter Than the Blues | Joan Shelley | D♭ Major | 2 | 3B | 105 BPM | ||
| Be The Change | The Wild Reeds | D Major | 3 | 10B | 131 BPM | ||
| Wind's Gonna Find a Way | Kris Delmhorst | A Minor | 3 | 8A | 133 BPM | ||
| Morning Dove | Julie Byrne | C Major | 2 | 8B | 98 BPM | ||
| Feeling of Beauty | Tift Merritt | E♭ Major | 4 | 5B | 97 BPM | ||
| Kathy's Song | The Secret Sisters | B♭ Major | 1 | 6B | 175 BPM | ||
| Here and Whole | Joan Shelley | F♯ Major | 3 | 2B | 126 BPM | ||
| Without A Face | Luluc | D Major | 4 | 10B | 145 BPM | ||
| If I Told | Courtney Marie Andrews | B♭ Major | 2 | 6B | 80 BPM | ||
| Half Acre - Remastered 2025 | Hem | F Major | 3 | 7B | 84 BPM | ||
| The Door | Joan Shelley | B Major | 1 | 1B | 104 BPM |