"Closing The Wormhole" by Blake Neely had its release date on November 13, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "The Flash: Season 1 (Original Television Soundtrack)". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United States. Based on our statistics, Closing The Wormhole's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Closing The Wormhole by Blake Neely having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lethal Force | Nathan Furst | F Major | 4 | 7B | 119 BPM | ||
| Main Title | Craig Armstrong | A♭ Major | 6 | 4B | 195 BPM | ||
| The Fight with Death | Heitor Pereira | B Minor | 5 | 10A | 136 BPM | ||
| Pruned | Natalie Holt | D♭ Minor | 3 | 12A | 141 BPM | ||
| The Amazing Spider-Man Theme | Joseph Caquias | E♭ Major | 4 | 5B | 70 BPM | ||
| Banishment | Patrick Doyle | D♭ Major | 2 | 3B | 83 BPM | ||
| Lockdown | Steve Jablonsky | F Minor | 3 | 4A | 60 BPM | ||
| Anthropic Universe | Sarah Schachner | A Minor | 3 | 8A | 100 BPM | ||
| Jim Transforms | Tim Davies | F Major | 2 | 7B | 71 BPM | ||
| They Always Come Back | Brandon Campbell | G Minor | 1 | 6A | 169 BPM | ||
| This Spark in You | Daniel Pemberton | B♭ Major | 1 | 6B | 130 BPM | ||
| Referencias | Sin Recompensas | C Minor | 3 | 5A | 110 BPM | ||
| A New King | Patrick Doyle | D Minor | 1 | 7A | 67 BPM | ||
| Harlem Brawl | Craig Armstrong | A♭ Major | 6 | 4B | 195 BPM | ||
| Forest Battle | Steve Jablonsky, Lisbeth Scott | G Minor | 6 | 6A | 90 BPM | ||
| Mysterious Island Main Titles | Andrew Lockington | F Major | 5 | 7B | 80 BPM | ||
| I Have To Try | Blake Neely | D Minor | 7 | 7A | 127 BPM | ||
| Supersonic | Blake Neely | D♭ Major | 4 | 3B | 130 BPM | ||
| Contingency | David Buckley | D♭ Major | 3 | 3B | 81 BPM | ||
| The Obelisk | Bear McCreary | G Minor | 3 | 6A | 104 BPM | ||
| Transformers Prime: Main Theme (Emotional) | Zanthius Prime Musicals | F Minor | 3 | 4A | 130 BPM | ||
| You Should Have Listened to My Warning | Nick Arundel | D♭ Major | 7 | 3B | 89 BPM | ||
| The Fortress of Solitude | Dan Romer | B Minor | 1 | 10A | 71 BPM | ||
| I Claim Your Sun | Steve Jablonsky, Lisbeth Scott | D Major | 6 | 10B | 138 BPM | ||
| What Heroes Do | Mark Mothersbaugh | G Minor | 7 | 6A | 120 BPM |