Carl Millöcker, Ingeborg Hallstein, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek's 'Der Bettelstudent - operetta in 3 Acts: Jeder Ton spricht davon' had a release date set for January 1, 1993. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 33 in Der Bettelstudent - Gasparone - Die Dubarry by Carl Millöcker, Franz Fehringer, Ingeborg Hallstein, Herta Talmar, Willi Hofmann, Sandor Konya, Willy Schneider, Rita Bartos, Günter Kallmann Chor, Chor, Grosses Operetten Orchester, Franz Marszalek. Der Bettelstudent - operetta in 3 Acts: Jeder Ton spricht davon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Bettelstudent - operetta in 3 Acts: Jeder Ton spricht davon by Carl Millöcker, Ingeborg Hallstein, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
| Vino, mujeres y canciones, Op. 333 | Orquesta De Conciertos Vienesa, Alfred Scholz | B♭ Major | 3 | 6B | 181 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Dracula - Teil 20 | Dracula | D Major | 3 | 10B | 108 BPM | ||
| Die Dubarry (1999 Digital Remaster): Was ich im Leben beginne | Carl Millöcker, Elisabeth Schwarzkopf, Otto Ackermann, Philharmonia Orchestra, Philharmonia Chorus | F♯ Major | 3 | 2B | 113 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| Strauss, E: Alpenrose, Op. 127 | Eduard Strauss, Willi Boskovsky, Wiener Johann Strauss Orchester | G Major | 0 | 9B | 75 BPM | ||
| Alexandrinen-Polka, Op. 198 | Johann Strauss II, Neeme Järvi, Estonian National Symphony Orchestra | F Major | 2 | 7B | 93 BPM | ||
| Die Csardasfürstin: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Pütz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Der Bettelstudent, Act II: Soll ich reden, darf ich schweigen? | Carl Millöcker, Karl Terkal, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | F Major | 4 | 7B | 100 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
| Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
| Johann Strauss II: Wien bleibt Wien - Marsch | Vienna Walzer Orchestra | D Major | 8 | 10B | 120 BPM | ||
| Luftig und duftig. Polka schnell, op. 206 | Eduard Strauss, Riccardo Muti, Wiener Philharmoniker | D Major | 4 | 10B | 82 BPM | ||
| Nonnenkoor Uit Casanova | Koor en Orkest o.l.v. Benedict Silberman | F Major | 3 | 7B | 87 BPM | ||
| Don Carlo*: Act II Scene 1: Dio, che nell'alma infondere (Don Carlos, Rodrigo, Old Monk, Monks) | Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | C Major | 3 | 8B | 133 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Der Bettelstudent, Act I: Welch ein Radau, welch ein Skandal | Carl Millöcker, Otto Storr, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | E Major | 6 | 12B | 115 BPM | ||
| 8 Slavonic Dances, Op. 46: No. 4 in F (Tempo di minuetto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
| Chabrier: Le roi malgré lui, Act 2: Fête polonaise | Emmanuel Chabrier, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 61 BPM | ||
| Overture "Poet and Peasant" Ouverture "Dichter und Bauer" - Instrumental | Franz von Suppé, New York Philharmonic, Leonard Bernstein | D Major | 2 | 10B | 161 BPM |