F. プーランク, 森下幸路(ヴァイオリン), カール=アンドレアス・コリー(ピアノ)'s ' "愛の小道 (ワルツの調べ)" was released on its scheduled release date, October 25, 2001. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in カンタービレ, so we believe that "愛の小道 (ワルツの調べ)" is a single. Based on our statistics, 愛の小道 (ワルツの調べ)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 愛の小道 (ワルツの調べ) by F. プーランク, 森下幸路(ヴァイオリン), カール=アンドレアス・コリー(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 115 BPM | ||
| Lieder ohne Worte VII, Op. 85: II. Allegro agitato (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Julien Quentin | A Minor | 2 | 8A | 110 BPM | ||
| Sur l'eau: Sur l’eau (On the Water): Alla barcarolla, moderato | Philippe Gaubert, Fenwick Smith, Sally Pinkas | F♯ Major | 1 | 2B | 77 BPM | ||
| Una Voce Poco Fa (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| Haydn, M: Divertimento in E-Flat Major, MH 9: I. Adagio con variazioni | Michael Haydn, Rodney Slatford, Kenneth Heath, Stephen Shingles | D Major | 1 | 10B | 108 BPM | ||
| Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
| Passacaglia & Fugue in C Minor, BWV 582 (Arr. for Orchestra by Sir Andrew Davis): I. Passacaglia | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis | E♭ Major | 0 | 5B | 73 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Symphony No. 5, Op. 64: IVc. Missa brevis. Credo in unum Deum | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Andante et rondo, Op. 25: No. 2, Rondo | Franz Doppler, Karl Doppler, Wolfgang Schulz, Matthias Schulz, Ferenc Bognar | C Major | 1 | 8B | 115 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | C Major | 2 | 8B | 128 BPM | ||
| Introduzione e 8 Variazioni Brillanti su un tema originale in F Major, Op. 32: (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): X. Variation 8 | Ernst Krähmer, Claudio Ferrarini | C Major | 2 | 8B | 128 BPM | ||
| Suite from "The Victorian Kitchen Garden": IV. Exotica. Allegro ritmico | Paul Reade, Michael Collins, Michael McHale | A Minor | 2 | 8A | 152 BPM | ||
| 歌曲集「平凡な話」 V. すすり泣き | F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) | G Minor | 1 | 6A | 105 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Dartington Piano Trio | B♭ Major | 0 | 6B | 145 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | C Major | 2 | 8B | 128 BPM | ||
| 六重奏曲 Ⅰ.アレグロ・ヴィヴァーチェ | F. プーランク, クドウ・シゲノリ・ウインド・アンサンブル, 工藤重典(フルート), 古部賢一(オーボエ), 赤坂達三(クラリネット), 日橋辰朗(ホルン), 吉田将(ファゴット), 長崎麻里香(ピアノ) | D♭ Major | 0 | 3B | 118 BPM | ||
| Suite For Cello And Orchestra, Op. 16b, R. 211: 3. Gavotte. Allegro non troppo | Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | D Major | 1 | 10B | 84 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Serenade for Strings in E Major, Op. 22, B.52: 1. Moderato | Antonín Dvořák, Saito Kinen Orchestra, Seiji Ozawa | E Major | 1 | 12B | 134 BPM | ||
| Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: I. Introduzione. Maestoso ed adagio | Joseph Haydn, Konzerthausorchester Berlin, Justin Doyle | C Major | 2 | 8B | 128 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation 1 | Johann Baptist Vanhal, Claudio Ferrarini | C Major | 2 | 8B | 128 BPM |