Sam Spence's ' "Solomon Squatz" was released on its scheduled release date, January 1, 1970. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Solomon Squatz's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sam Spence's "Music From NFL Films, Vol. 1" album is number 11 out of 19. Based on our statistics, Solomon Squatz's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Solomon Squatz by Sam Spence to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sole Witness | Orchestra Heinz Kiessling | A Minor | 6 | 8A | 141 BPM | ||
| Western Wind (Bonus Track) | Sam Spence | B Major | 4 | 1B | 163 BPM | ||
| Night Fiesta | Vienna Tango Ensemble | D Major | 5 | 10B | 121 BPM | ||
| Toon Walk | Universal Destinations & Experiences | C Major | 4 | 8B | 92 BPM | ||
| A Bridge Too Far (Overture) | Czech Philharmonic Chamber Orchestra | B♭ Major | 4 | 6B | 107 BPM | ||
| Copy Cat | Muzak Orchestra | E Minor | 5 | 9A | 157 BPM | ||
| The Final Escape (Lo Pan's Demise/Getaway) | John Carpenter | D Major | 7 | 10B | 117 BPM | ||
| Captain Freedom's Workout | Harold Faltermeyer | E♭ Major | 9 | 5B | 142 BPM | ||
| Prestige Production | Neil Richardson | F Minor | 6 | 4A | 112 BPM | ||
| Big Boss Theme | Peter Thomas Sound Orchester | B♭ Major | 7 | 6B | 100 BPM | ||
| Steelmen | Sam Spence | E Minor | 8 | 9A | 138 BPM | ||
| Force Ten from Navarone: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| The Force Theme | Meco | A Major | 7 | 11B | 132 BPM | ||
| Marina | Johnny Mandel | G Major | 7 | 9B | 102 BPM | ||
| Opening Fanfare | John Epping | E Major | 7 | 12B | 81 BPM | ||
| 007 Takes the Lektor - From Russia With Love,1963 | Sean Connery, John Barry Orchestra | B Minor | 9 | 10A | 157 BPM | ||
| Homeward Bound: King Arthur's Theme (From Monty Python and the Holy Grail) | San Fernando Symphonic Assembly | F Major | 8 | 7B | 111 BPM | ||
| Thunderhead | Michael Giacchino | A Minor | 7 | 8A | 154 BPM | ||
| The People's Court | Big Screen International | A Major | 9 | 11B | 143 BPM | ||
| Johnny's Coming Home (Bonus Track) | Sam Spence | C Minor | 2 | 5A | 132 BPM | ||
| Manor House Rally | Michael Giacchino | A Minor | 5 | 8A | 100 BPM | ||
| Gala Premiere | Laurie Johnson | G Major | 6 | 9B | 74 BPM | ||
| Match Play | Syd Dale | C Major | 7 | 8B | 81 BPM | ||
| The Natural | Randy Newman | F Major | 3 | 7B | 77 BPM | ||
| People's Court (America) | Alan Tew | G Major | 6 | 9B | 143 BPM |