"THOUSAND KNIVES - THUNDERCAT REMODEL" by Ryuichi Sakamoto, Thundercat had its release date on November 30, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 13 in A Tribute to Ryuichi Sakamoto - To the Moon and Back by Ryuichi Sakamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. THOUSAND KNIVES - THUNDERCAT REMODEL is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of THOUSAND KNIVES - THUNDERCAT REMODEL by Ryuichi Sakamoto, Thundercat is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hoei (feat. Manami Kakudo) | Ayatake Ezaki, 角銅真実 | D Minor | 2 | 7A | 198 BPM | ||
| 2 Arabesques, L. 66: No. 1 in E Major | Claude Debussy, François-Joël Thiollier | F♯ Minor | 0 | 11A | 65 BPM | ||
| ax Mr. L | alva noto, Ryuichi Sakamoto | D Major | 7 | 10B | 131 BPM | ||
| MISHIMA/Closing | Philip Glass, Kronos Quartet, Michael Riesman | C Minor | 1 | 5A | 142 BPM | ||
| The Blue Notebooks | Max Richter, Tilda Swinton | G Major | 2 | 9B | 108 BPM | ||
| 一対の宝玉 | Marihiko Hara | C Minor | 1 | 5A | 82 BPM | ||
| Maternity Sky | Masakatsu Takagi | D Major | 1 | 10B | 131 BPM | ||
| F Major | Hania Rani | B♭ Minor | 0 | 3A | 142 BPM | ||
| eau | yutaka hirasaka | F Minor | 3 | 4A | 128 BPM | ||
| 鉄道員(Poppoya) | Taeko Onuki, Ryuichi Sakamoto | F♯ Minor | 0 | 11A | 74 BPM | ||
| Bibo No Aozora (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | A Minor | 2 | 8A | 160 BPM | ||
| Re | Nils Frahm | F♯ Minor | 1 | 11A | 109 BPM | ||
| LOVE (Variation 2) | Lia Ouyang Rusli | A♭ Minor | 6 | 1A | 176 BPM | ||
| Glassworks: I. Opening | Philip Glass, Philip Glass Ensemble, Michael Riesman | C Minor | 1 | 5A | 139 BPM | ||
| Happy End | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | F Minor | 1 | 4A | 104 BPM | ||
| Préludes / Book 1, L. 117: VI. Des pas sur la neige | Claude Debussy, Arturo Benedetti Michelangeli | D Minor | 0 | 7A | 75 BPM | ||
| Migratory Birds | Takahiro Kido | F Major | 3 | 7B | 146 BPM | ||
| The Haunted Victorian Pencil | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | G Minor | 0 | 6A | 80 BPM | ||
| Truman Sleeps | Philip Glass | A♭ Major | 1 | 4B | 109 BPM | ||
| 絵筆 | 梅林 茂 | D♭ Major | 2 | 3B | 85 BPM | ||
| For the Hungry Boy | Jonny Greenwood | C Major | 1 | 8B | 86 BPM | ||
| 這樣對大家都好 鋼琴版 | 林生祥 | C Minor | 0 | 5A | 138 BPM | ||
| 23:17 | Ólafur Arnalds, Nils Frahm | D♭ Major | 2 | 3B | 111 BPM | ||
| Zorg et Betty | Gabriel Yared | G Major | 0 | 9B | 69 BPM | ||
| Late | Nils Frahm | G Minor | 0 | 6A | 110 BPM |