Francisco Lomuto's ' "Buenos Aires" was released on its scheduled release date, April 10, 2012. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Buenos Aires's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 56 in the song's album "The Roots of Tango - Nostalgias". In this album, this song's track order is #38. In terms of popularity, Buenos Aires is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Buenos Aires by Francisco Lomuto having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cuando estaba enamorado - Remastered | Francisco Canaro Y Su Orquesta Tipica | E Minor | 3 | 9A | 109 BPM | ||
| Arrabalera | Quinteto Pirincho | B♭ Minor | 6 | 3A | 101 BPM | ||
| El mareo | Alberto Morán, Julio De Caro, Orquesta Osvaldo Pugliese | E♭ Major | 3 | 5B | 125 BPM | ||
| Pocas palabras | Alberto Castillo | E♭ Major | 5 | 5B | 114 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| Indiferencia | Pablo Valle Sexteto | E♭ Major | 2 | 5B | 131 BPM | ||
| Mozo Guapo | Ricardo Tanturi, Alberto Castillo | E♭ Major | 5 | 5B | 114 BPM | ||
| Con Toda La Voz Que Tengo | Aníbal Troilo Y Su Orquesta Típica | D Major | 5 | 10B | 112 BPM | ||
| El Viejo Vals | Hyperion Ensemble, Ruben Peloni, Hernan Godoy | D Minor | 6 | 7A | 105 BPM | ||
| Organito de la tarde | Orquesta Rodolfo Biagi, Cátulo Castillo, José Gonzalez Castillo | D Major | 3 | 10B | 142 BPM | ||
| Que bien te queda | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 124 BPM | ||
| Es En Vano Llorar | Miguel Caló, Raul Iriarte | E Minor | 3 | 9A | 124 BPM | ||
| Campo afuera | Orquesta tipica Rodolfo Biagi (Singer:Teofilo Ibanez) | G Minor | 3 | 6A | 106 BPM | ||
| Llueve Otra Vez | Pedro Laurenz, Carlos Bermúdez | E♭ Major | 5 | 5B | 114 BPM | ||
| Leyenda Gaucha | Domingo Federico | E♭ Major | 5 | 5B | 114 BPM | ||
| Tu Angustia y Mi Dolor | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| La Vida Es Una Milonga | Pedro Laurenz, Martín Podestá | E♭ Major | 5 | 5B | 114 BPM | ||
| Milonga Del Aguatero | Orquesta Tipica Victor | A Minor | 3 | 8A | 111 BPM | ||
| Madreselva | Francisco Lomuto | E♭ Major | 5 | 5B | 114 BPM | ||
| Mi Dolor | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| No Hay Tierra Como la Mía | Hyperion Ensemble | D Minor | 7 | 7A | 110 BPM | ||
| Flor de Monserrat | Rodolfo Biagi, Orquesta Rodolfo Biagi | C Major | 3 | 8B | 60 BPM | ||
| No Te Apures Cara Blanca | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM | ||
| Zorro Gris | Francisco Lomuto | G Major | 3 | 9B | 117 BPM | ||
| Todo Te Nombra | Pablo Valle Sexteto | B♭ Major | 2 | 6B | 127 BPM |