A-JARI's ' "THE SINGLES" was released on its scheduled release date, October 3, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in A-JARI FINAL LIVE (A-JARI FINAL LIVE at POWER STATION 1989-6-8) by A-JARI. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of THE SINGLES is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of THE SINGLES by A-JARI is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ロマンス | PRINCESS PRINCESS | A♭ Major | 8 | 4B | 142 BPM | ||
| ジプシー | 児島未散 | B♭ Minor | 4 | 3A | 110 BPM | ||
| はいからさんが通る | Yoko Minamino | B♭ Major | 6 | 6B | 76 BPM | ||
| ラプソディ | CHAGE and ASKA | C Major | 9 | 8B | 120 BPM | ||
| ロマンスカー | Kozo Murashita | C Minor | 9 | 5A | 125 BPM | ||
| 雨上がりにハグをしよう! | A-JARI | C Major | 7 | 8B | 81 BPM | ||
| Dance Beatは夜明けまで | Yoko Oginome | E♭ Minor | 9 | 2A | 144 BPM | ||
| 二人のゼネレーション | Kahoru Kohiruimaki | C Major | 10 | 8B | 145 BPM | ||
| ハレーロマンス | Shohjo-tai | C Major | 7 | 8B | 140 BPM | ||
| Kの手帖 | Satoshi Ikeda | A Minor | 8 | 8A | 124 BPM | ||
| さよなら | Ruriko Kuboh | C Minor | 8 | 5A | 132 BPM | ||
| さよならの後で | A-JARI | C Major | 7 | 8B | 81 BPM | ||
| Tokyo Sugar Town | Chiemi Hori | B Minor | 8 | 10A | 140 BPM | ||
| 孤独なハリケーン | Minako Honda | C Major | 8 | 8B | 120 BPM | ||
| MARILYNE (2025 REMASTER VERSION) | Koji Kikkawa | G Major | 10 | 9B | 142 BPM | ||
| ハイヒール脱ぎ捨てて | ZARD | F♯ Major | 8 | 2B | 112 BPM | ||
| 水の中のAnswer - 2022 Remaster | Kiyotaka Sugiyama | D Major | 7 | 10B | 133 BPM | ||
| Watashi wa Knife | Shizuka Kudo | D♭ Major | 9 | 3B | 140 BPM | ||
| グッドラックLOVE - 2010 New Recording | Toshihiko Tahara | F♯ Minor | 7 | 11A | 148 BPM | ||
| Metamorphose | Shizuka Kudo | B♭ Minor | 8 | 3A | 137 BPM | ||
| CRY NO MORE | Mari Hamada | F♯ Major | 9 | 2B | 129 BPM | ||
| とにかく騷げばHAPPY TONIGHT | A-JARI | C Major | 6 | 8B | 138 BPM | ||
| 最後の約束 -See you again- | AMBIENCE | B Minor | 7 | 10A | 166 BPM | ||
| Shiokaze no Shojo | Chiemi Hori | A♭ Minor | 8 | 1A | 134 BPM | ||
| Tele-Control | Mari Hamada | G Major | 9 | 9B | 122 BPM |