"Joe Liked to Go (To the Cemetery)" by Boyd Rice & Fiends had its release date on July 24, 2001. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wolf Pact by Boyd Rice, Fiends. The song's track number on the album is #10 out of 13 tracks. In terms of popularity, Joe Liked to Go (To the Cemetery) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Joe Liked to Go (To the Cemetery) by Boyd Rice & Fiends has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Joe Liked to Go (To the Cemetery) being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pure Delight | Martin Dupont | E Minor | 7 | 9A | 89 BPM | ||
| Over Abyss | Chris & Cosey, Lustmord | D♭ Major | 9 | 3B | 134 BPM | ||
| Track V | Der Blutharsch | D Minor | 6 | 7A | 115 BPM | ||
| Mediocrity in Love Rejected | Sonne Hagal | B♭ Major | 6 | 6B | 126 BPM | ||
| The Orchards | Rome | D♭ Minor | 5 | 12A | 105 BPM | ||
| Darkness Fish | Nurse With Wound | A♭ Major | 6 | 4B | 107 BPM | ||
| Golden Boy | Carola Baer | B Major | 9 | 1B | 127 BPM | ||
| Oceanview | Crimson Coterie | A♭ Minor | 8 | 1A | 110 BPM | ||
| Acres of Gold | Nocturnal Emissions | A♭ Major | 2 | 4B | 84 BPM | ||
| Elastic | Arno Zephaniah | B♭ Major | 7 | 6B | 108 BPM | ||
| Young's Ideal Rectal Dilators | Liebe: Young | A Major | 7 | 11B | 150 BPM | ||
| A Cancer Called Love | :Of The Wand And The Moon: | A Minor | 6 | 8A | 110 BPM | ||
| The past | Black Staticcc | G Minor | 0 | 6A | 116 BPM | ||
| Night | Thocnil | G Major | 3 | 9B | 115 BPM | ||
| Trapezoid | Chris & Cosey, John Duncan, Joe Potts | F Minor | 5 | 4A | 118 BPM | ||
| Obsession Flowers as Torture | Nature And Organisation | B Major | 6 | 1B | 104 BPM | ||
| Mouth Of Kalki | By The Spirits, Skalpy z Drzew | E♭ Minor | 4 | 2A | 80 BPM | ||
| Hyperform | The Tear Garden | A Minor | 2 | 8A | 173 BPM | ||
| Six Six Sixties - Remastered | Throbbing Gristle | F♯ Major | 5 | 2B | 139 BPM | ||
| Dawn on a Buck Skin | Natural Snow Buildings | A Major | 2 | 11B | 87 BPM | ||
| HOMECHAS 021 | Taram Tula | B♭ Minor | 3 | 3A | 140 BPM | ||
| Millstones | Hala Strana | F Minor | 3 | 4A | 72 BPM | ||
| Watery Leviathan | Fiends, Boyd Rice | C Major | 5 | 8B | 65 BPM | ||
| An Eye for an Eye | Boyd Rice and Friends | F♯ Major | 8 | 2B | 110 BPM | ||
| A Ship Named 'Despair' | The Tear Garden | A Minor | 3 | 8A | 79 BPM |