清野由美's ' "ディナーが終るまで" was released on its scheduled release date, December 25, 1981. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Natural Woman". In this album, this song's track order is #7. ディナーが終るまで is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With ディナーが終るまで by 清野由美 having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| NEW YORK-REVIEW - 2019 Remaster | PIPER | D Major | 7 | 10B | 132 BPM | ||
| 金色のなぎさ | 朝比奈 マリア | A Minor | 7 | 8A | 136 BPM | ||
| TODAY | Sumiko Yamagata | B♭ Major | 5 | 6B | 96 BPM | ||
| わたしの広告 | Junko Sakurada | B Minor | 3 | 10A | 136 BPM | ||
| Lobbyの生活 - 2024 Remaster | 早瀬優香子 | B♭ Minor | 8 | 3A | 110 BPM | ||
| L.A. NIGHT | Yasuko Agawa | B Minor | 5 | 10A | 100 BPM | ||
| Latin Night | Hatsumi Shibata | B♭ Minor | 9 | 3A | 119 BPM | ||
| ON THE SEASHORE | Sadistics | C Major | 7 | 8B | 89 BPM | ||
| 今日かぎり | Hiroaki Igarashi | B♭ Major | 7 | 6B | 99 BPM | ||
| You'll never know | 笠井 紀美子 | D♭ Minor | 9 | 12A | 105 BPM | ||
| ベリー・スペシャル・モーメント | 笠井 紀美子 | C Minor | 8 | 5A | 106 BPM | ||
| Midnight Love Call | Yoshitaka Minami | F♯ Minor | 5 | 11A | 116 BPM | ||
| 夢色グライダー | Sumiko Yamagata | D Major | 5 | 10B | 98 BPM | ||
| かげろう | Char | G Minor | 9 | 6A | 98 BPM | ||
| ティー・フォー・ワン | Rajie | C Minor | 8 | 5A | 119 BPM | ||
| サンセット | 高橋ユキヒロ | B Minor | 8 | 10A | 114 BPM | ||
| タワー・サイド・メモリー | Yumi Matsutoya | E Major | 6 | 12B | 109 BPM | ||
| 指切り | 大瀧詠一, 大滝詠一 | D Major | 7 | 10B | 106 BPM | ||
| PH-8 | 二名敦子 | A Major | 7 | 11B | 112 BPM | ||
| モンロー・ウォーク | Yoshitaka Minami | F Minor | 6 | 4A | 122 BPM | ||
| 幻惑 | Taeko Onuki | C Minor | 5 | 5A | 103 BPM | ||
| Bewitched (Are You Leaving Soon) | Naomi Akimoto | A Minor | 7 | 8A | 133 BPM | ||
| Rainy Night Lady | RA MU | B Minor | 9 | 10A | 100 BPM | ||
| Corvett 1954 | Yumi Matsutoya, Takao Kisugi | G Major | 6 | 9B | 79 BPM | ||
| 1982本牧ベース | Kei Ishiguro | A Minor | 4 | 8A | 148 BPM |