On July 7, 2001, the song "Tucumcari, Here I Come" was released by Dale Watson, Marcia Ball, Randy Garibay, Gary Primich, Maryann Price, Jimmy LaFave, Jason Roberts, Cindy Cashdollar and Herb Remington, Asleep At The Wheel, Two High String Band, Red Dirt Rangers, The LeRoi Brothers, Steve James. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Tucumcari, Here I Come's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "More Songs of Route 66: Roadside Attractions" album is number 8 out of 14. Tucumcari, Here I Come is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tucumcari, Here I Come by Dale Watson, Marcia Ball, Randy Garibay, Gary Primich, Maryann Price, Jimmy LaFave, Jason Roberts, Cindy Cashdollar and Herb Remington, Asleep At The Wheel, Two High String Band, Red Dirt Rangers, The LeRoi Brothers, Steve James to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moved Into A Bottle | The Broken Spokes | D Major | 5 | 10B | 132 BPM | ||
| We’re The Time Jumpers | The Time Jumpers | A♭ Major | 5 | 4B | 187 BPM | ||
| The Good Life | Bruce Robison | E Major | 7 | 12B | 150 BPM | ||
| Where Has All The Money Gone? | Junior Brown | C Major | 6 | 8B | 113 BPM | ||
| Someday, Not Today | The Broken Spokes | E Major | 4 | 12B | 99 BPM | ||
| Too Much | Pirates Of The Mississippi | G Major | 5 | 9B | 90 BPM | ||
| Mohair Sam | The Derailers | A Major | 8 | 11B | 121 BPM | ||
| Every Night's A Saturday Night | Lee Roy Parnell | A♭ Major | 9 | 4B | 157 BPM | ||
| Going Home to Texas | Ed Burleson | E Major | 7 | 12B | 172 BPM | ||
| A Matter of Time | Matlen Starsley Band | A Major | 8 | 11B | 120 BPM | ||
| Nuevo Laredo | Doug Sahm | A Major | 4 | 11B | 165 BPM | ||
| Truck Drivin' Man | Red Steagall | E Major | 8 | 12B | 127 BPM | ||
| I Ain't Never | BR549 | A Major | 8 | 11B | 126 BPM | ||
| Nothing Can Stop | James Intveld | F Major | 8 | 7B | 101 BPM | ||
| Why You Been Gone So Long | Chris Hillman | E Major | 5 | 12B | 160 BPM | ||
| After The Fire Is Gone | Buddy Miller, Lee Ann Womack | F Minor | 10 | 4A | 165 BPM | ||
| Jukebox Charlie | Lloyd Green | B♭ Major | 5 | 6B | 126 BPM | ||
| Texas Afternoon | Eleven Hundred Springs | A Major | 9 | 11B | 138 BPM | ||
| Cinderella | Brother Phelps | G Major | 7 | 9B | 148 BPM | ||
| Sugarfoot Rag | Asleep At The Wheel | D Major | 8 | 10B | 122 BPM | ||
| Big Time | Lloyd Mccarter and the Honky Tonk Revival | F♯ Minor | 9 | 11A | 125 BPM | ||
| Object of My Affection | Mickey Gilley | C Major | 8 | 8B | 200 BPM | ||
| Baby Can I Crawl Back To You | Gurf Morlix | E Major | 4 | 12B | 172 BPM | ||
| Keep on Rockin' | Confederate Railroad | G Major | 8 | 9B | 144 BPM | ||
| The John Deere Tractor Song | Don Walser | G Major | 6 | 9B | 168 BPM |