Chuck Ragan's 'Nothing Left to Prove' had a release date set for September 13, 2011. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 10 in Covering Ground by Chuck Ragan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Nothing Left to Prove is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nothing Left to Prove by Chuck Ragan is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dance | MIGRE LE TIGRE | E Major | 4 | 12B | 96 BPM | ||
| Before Dust | Chuck Ragan, Ben Nichols | A Minor | 9 | 8A | 129 BPM | ||
| One Hundred | Chris Cresswell | G Major | 3 | 9B | 86 BPM | ||
| Chattanooga Bend | Rumbleseat | C Major | 4 | 8B | 127 BPM | ||
| Steady Rollin' | Two Gallants | C Major | 8 | 8B | 123 BPM | ||
| Revved | Chuck Ragan | F♯ Minor | 9 | 11A | 171 BPM | ||
| Generation | Abramowicz | A Major | 8 | 11B | 78 BPM | ||
| Ladykiller | The Horrible Crowes | B♭ Major | 9 | 6B | 115 BPM | ||
| Shine On | The Porters | G Major | 9 | 9B | 145 BPM | ||
| One Match | Boysetsfire | B Minor | 10 | 10A | 192 BPM | ||
| The Guillotine | Jared Hart | B Major | 5 | 1B | 142 BPM | ||
| Yesterday | Joe McMahon | F♯ Minor | 9 | 11A | 135 BPM | ||
| I Can't See You, but I Know You're There | Laura Jane Grace | C Major | 7 | 8B | 142 BPM | ||
| The Corner | Jon Snodgrass, Cory Branan | D Major | 2 | 10B | 103 BPM | ||
| Do Whatever the Fuck You Want | Tim Vantol | C Major | 7 | 8B | 100 BPM | ||
| Dead Friends Don't Pay Debts | Red City Radio | D Major | 10 | 10B | 195 BPM | ||
| This Life Is Strange | Joey Cape | C Major | 6 | 8B | 142 BPM | ||
| Animal Life | Shearwater | B Major | 8 | 1B | 146 BPM | ||
| Walk On | Young Rebel Set | E Major | 9 | 12B | 138 BPM | ||
| Monumental | The Flatliners | E♭ Major | 10 | 5B | 154 BPM | ||
| Toadvine | Ben Nichols | C Major | 3 | 8B | 81 BPM | ||
| Ramblin' Revisited | Brendan Kelly and the Wandering Birds | C Major | 7 | 8B | 108 BPM | ||
| What It Takes | Tim Vantol | G Major | 6 | 9B | 125 BPM | ||
| Moonshiner | Scorpios | C Major | 3 | 8B | 135 BPM | ||
| Ballad Of Fuck All | Malcolm Middleton | D♭ Major | 10 | 3B | 195 BPM |