Loretta Lynn's 'When The Tingle Becomes A Chill' had a release date set for February 2, 1976. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of When The Tingle Becomes A Chill by Loretta Lynn. The song's track number on the album is #1 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, When The Tingle Becomes A Chill's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since When The Tingle Becomes A Chill by Loretta Lynn has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With When The Tingle Becomes A Chill being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Would You Hold It Against Me - Digitally Remastered | Dottie West | B♭ Major | 5 | 6B | 98 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 100 BPM | ||
| Country Bumpkin | Cal Smith | G Major | 3 | 9B | 95 BPM | ||
| Paper Roses | Loretta Lynn | A Major | 3 | 11B | 111 BPM | ||
| It Was Always So Easy (To Meet an Unhappy Woman) | Moe Bandy | F Major | 4 | 7B | 96 BPM | ||
| A Man I Hardly Know | Loretta Lynn | A♭ Major | 2 | 4B | 132 BPM | ||
| Make That One for the Road a Cup of Coffee | Lefty Frizzell | E Major | 4 | 12B | 122 BPM | ||
| If A Woman Answers (Hang Up The Phone) | Leroy Van Dyke | C Major | 5 | 8B | 137 BPM | ||
| Rose Colored Glasses | John Conlee | A♭ Major | 4 | 4B | 114 BPM | ||
| Flight 309 to Tennessee | Shelly West | A♭ Major | 6 | 4B | 142 BPM | ||
| Dim Lights, Thick Smoke (And Loud, Loud Music) | Vern Gosdin | E Major | 4 | 12B | 142 BPM | ||
| Would You Catch a Falling Star | John Anderson | D♭ Major | 3 | 3B | 109 BPM | ||
| Ravishing Ruby - Single Version | Tom T. Hall | D♭ Major | 4 | 3B | 145 BPM | ||
| My Heart Has a Mind of Its Own | Susan Raye | F Major | 4 | 7B | 113 BPM | ||
| Till the End | Vern Gosdin | A Major | 3 | 11B | 93 BPM | ||
| Life Turned Her That Way | Little Jimmy Dickens | B Major | 2 | 1B | 81 BPM | ||
| Memories from the Past | Norma Jean | D Major | 3 | 10B | 111 BPM | ||
| They Don't Make 'Em Like My Daddy | Loretta Lynn | A Major | 5 | 11B | 106 BPM | ||
| Back Street Affair | Loretta Lynn | A Major | 3 | 11B | 116 BPM | ||
| Mama's Never Seen Those Eyes | The Forester Sisters | A♭ Major | 5 | 4B | 144 BPM | ||
| Living Proof | Ricky Van Shelton | B Major | 3 | 1B | 90 BPM | ||
| If I Can't Have You | Jeannie Seely | A Major | 2 | 11B | 103 BPM | ||
| It Only Hurts for a Little While | Margo Smith | G Major | 2 | 9B | 78 BPM | ||
| I Can't Keep You In Love With Me | The Louvin Brothers | G Major | 4 | 9B | 133 BPM | ||
| You're The Reason (I Don't Sleep At Night) | Conway Twitty, Loretta Lynn | C Major | 3 | 8B | 122 BPM |