Michael Rodach, David Moss's 'Highly Artificial Blues' had a release date set for 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 20 out of 20 in Fragmentary Blues by Michael Rodach, David Moss. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Highly Artificial Blues is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Highly Artificial Blues by Michael Rodach, David Moss is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Urn St. Tavern | Adrian Raso, Fanfare Ciocarlia | D Minor | 5 | 7A | 80 BPM | ||
| Appena visibile | Filippo Ansaldi, Simone Sims Longo | F Minor | 0 | 4A | 96 BPM | ||
| Don't Fuck with Me | Marvin Pontiac | A Minor | 4 | 8A | 117 BPM | ||
| Under My Thumb | Vincent Ségal | E Minor | 4 | 9A | 128 BPM | ||
| I'm Chilled | Pancho The First | F Minor | 0 | 4A | 96 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Standing Ovation (For Mandela) | Henri Texier, Aldo Romano, Louis Sclavis | G Major | 5 | 9B | 154 BPM | ||
| Song from Elsewhere | Michael Rodach, David Moss | F Major | 5 | 7B | 155 BPM | ||
| He's Waltzing Like a Gun | David Jacques | F♯ Major | 2 | 2B | 85 BPM | ||
| The First and Royal Queen | The Lounge Lizards | D♭ Major | 3 | 3B | 111 BPM | ||
| Caribea | Moondog, Ghost Train Orchestra, Kronos Quartet | F Major | 3 | 7B | 113 BPM | ||
| Round Midnight | Xiame, Michael Rodach, Jorge Degas, Andreas Weiser | D Minor | 1 | 7A | 85 BPM | ||
| Leezard's Lament | Adrian Raso, Fanfare Ciocarlia | E Minor | 5 | 9A | 100 BPM | ||
| out of tune piano | Sam Harvey | E Minor | 3 | 9A | 121 BPM | ||
| The Invasion Of Poland | John Lurie | D♭ Minor | 1 | 12A | 123 BPM | ||
| Underground Storm | Yom, Wang Li | D♭ Major | 3 | 3B | 139 BPM | ||
| Frösön | Tonbruket | G Major | 1 | 9B | 79 BPM | ||
| Wild Impatience | Xiame, Michael Rodach, Jorge Degas, Andreas Weiser, Kenny Martin | A Major | 5 | 11B | 160 BPM | ||
| Sueno | Warphus | F♯ Minor | 5 | 11A | 132 BPM | ||
| Nosso Destino | Xiame, Michael Rodach, Jorge Degas, Andreas Weiser | G Major | 3 | 9B | 98 BPM | ||
| Esa Esquina | HECTOR BURBLE | D Minor | 4 | 7A | 130 BPM | ||
| Capricho | Gitano beatz | F Minor | 0 | 4A | 96 BPM | ||
| The Electricity Goes out and We Move to a Hotel | Kronos Quartet, Laurie Anderson | D Minor | 3 | 7A | 84 BPM | ||
| The Viking of 6th Avenue | Moondog, Ghost Train Orchestra, Kronos Quartet | E Major | 5 | 12B | 134 BPM | ||
| Passing On | Duval Timothy, CJ Mirra | F Minor | 0 | 4A | 96 BPM |