"Cavatina" by Harry Rabinowitz had its release date on August 30, 2010. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Harry Rabinowitz's "More Beautiful Orchestral Moments" album is number 11 out of 13. On top of that, Netherlands appears to be the country where this track was created. Cavatina is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavatina by Harry Rabinowitz to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
| España | Emmanuel Chabrier, Boston Symphony Orchestra, Seiji Ozawa | F Major | 3 | 7B | 126 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
| La bohème: Si, mi chiamano Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 126 BPM | ||
| The Secret Agent: Secret Agent | Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz | F Major | 1 | 7B | 120 BPM | ||
| Big Deal | Harry Rabinowitz | A Major | 6 | 11B | 111 BPM | ||
| Nessun Dorma: Turandot (Instrumental) | Tony Fenelon | D Major | 2 | 10B | 72 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| Little Serenade | Ernest Tomlinson, Pro Arte Orchestra, George Weldon | A Major | 0 | 11B | 142 BPM | ||
| Gianni Schicchi: Aria. Oh, mio bambino caro (Lauretta) | Giacomo Puccini, Katalin Pitti, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Ádám Medveczky | D Major | 3 | 10B | 74 BPM | ||
| Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
| The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | ||
| Les enfants tristes - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Faust: Faust: Romance | Johann Strauss II, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | F♯ Minor | 2 | 11A | 184 BPM | ||
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| La bohème: Che gelida manina | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | G Major | 5 | 9B | 171 BPM | ||
| By The Sleepy Lagoon: By the Sleepy Lagoon | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | C Major | 2 | 8B | 134 BPM | ||
| Livin’ It Up | Harry Rabinowitz, The Connaught Light Orchestra | E♭ Major | 4 | 5B | 137 BPM | ||
| Le dîner - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Making Free (Remastered) | Harry Rabinowitz, Harold Ernest Fisher, David Henry Richmond, Martin John Kershaw | C Minor | 4 | 5A | 108 BPM | ||
| Die Fledermaus: Waltz | Johann Strauss II, Ronnie Munro Scottish Variety Orchestra, Ronnie Munro, David Java Orchestra, Harold Collins Orchestra, Harry Davidson Orchestra, Harry Fryer Orchestra, London Coliseum Orchestra, Phil Green Theatreland Orchestra, Reginald Pursglove Orchestra, Richard Crean Orchestra, Ronnie Munro Waltz Orchestra, Studio Orchestra, Symphony Orchestra, Wynford Reynolds Orchestra | F Major | 2 | 7B | 182 BPM | ||
| First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
| Il Viaggo a Reims: I. Al barbaro rigor | Han De Vries, Jacques Zoon, London Studio Orchestra, Harry Rabinowitz | B♭ Major | 2 | 6B | 118 BPM | ||
| In a Persian Market | Albert Ketèlbey, Slovak Philharmonic Male Chorus, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 1 | 7B | 116 BPM | ||
| All Creatures Great and Small | Johnny Pearson | D Major | 4 | 10B | 112 BPM |