Nathaniel Rateliff & The Night Sweats, Preservation Hall Jazz Band's ' "S.O.B. - Reprise / Live" was released on its scheduled release date, November 10, 2017. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. S.O.B. - Reprise / Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nathaniel Rateliff & The Night Sweats, Nathaniel Rateliff's "Live At Red Rocks" album is number 17 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, S.O.B. - Reprise / Live is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of S.O.B. - Reprise / Live by Nathaniel Rateliff & The Night Sweats, Preservation Hall Jazz Band to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All These Kids Are Way Too High | Low Cut Connie | F Minor | 8 | 4A | 136 BPM | ||
| Wait for Me Virginia | Hollis Brown | C Major | 5 | 8B | 143 BPM | ||
| Devil in Me | Anderson East | G Major | 7 | 9B | 130 BPM | ||
| All I Ever Wonder | St. Paul & The Broken Bones | G Minor | 6 | 6A | 95 BPM | ||
| Everything I Like | The Suitcase Junket | F Major | 8 | 7B | 110 BPM | ||
| Rockin' Chair | Louis Armstrong, Preservation Hall Jazz Band | A♭ Major | 2 | 4B | 71 BPM | ||
| Love Don’t | Nathaniel Rateliff & The Night Sweats | A Major | 9 | 11B | 132 BPM | ||
| Intro - Live | Nathaniel Rateliff & The Night Sweats | G Major | 10 | 9B | 150 BPM | ||
| Rock & Roll The Second | J. Roddy Walston & The Business | F Major | 10 | 7B | 145 BPM | ||
| Old Enough (feat. Ricky Scaggs and Ashley Monroe) | The Raconteurs, Ricky Scaggs, Ashley Monroe | G Major | 6 | 9B | 86 BPM | ||
| Detroit '67 | Sam Roberts Band | C Major | 8 | 8B | 113 BPM | ||
| Walk Like A Man | Ruen Brothers | A Minor | 9 | 8A | 116 BPM | ||
| Light a Candle | JJ Grey & Mofro | C Major | 4 | 8B | 143 BPM | ||
| Boiled Over | Nathaniel Rateliff & The Night Sweats | B Major | 4 | 1B | 115 BPM | ||
| Pretty Good | Nathaniel Rateliff | D♭ Major | 4 | 3B | 101 BPM | ||
| Bad Habits | J. Roddy Walston & The Business | F♯ Major | 9 | 2B | 121 BPM | ||
| Sally Bangs | J. Roddy Walston & The Business | C Major | 9 | 8B | 86 BPM | ||
| In and Out of Love | The Harpoonist & the Axe Murderer | F Minor | 8 | 4A | 100 BPM | ||
| Me and My Uncle | The Lone Bellow | B Minor | 8 | 10A | 106 BPM | ||
| Take Me to Lake Charles | Shinyribs | C Major | 7 | 8B | 114 BPM | ||
| Mad | Preservation Hall Jazz Band | F Minor | 10 | 4A | 108 BPM | ||
| (I Can’t Get No) Satisfaction - Live / Take 2 / Set 2 / Sunday, April 10, 1966 | Otis Redding | A Major | 9 | 11B | 165 BPM | ||
| Santiago | Preservation Hall Jazz Band | F Minor | 10 | 4A | 128 BPM | ||
| Coming Back to a Man - Live From An Evening With Dawes | Dawes | C Major | 9 | 8B | 177 BPM | ||
| Train in Vain (Stand by Me) (Live at Shea Stadium) [Remastered] | The Clash | D Major | 10 | 10B | 128 BPM |