Terry Riley, Maya Beiser's 'In C 5' had a release date set for April 5, 2024. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. In C 5's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Terry Riley, Maya Beiser's "Maya Beiser x Terry Riley: In C" album is number 5 out of 10. Based on our statistics, In C 5's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of In C 5 by Terry Riley, Maya Beiser to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Niskayuna | Daniel Blumberg | D Major | 3 | 10B | 86 BPM | ||
| Electric Counterpoint: I. Fast | Steve Reich, Pat Metheny | G Major | 6 | 9B | 192 BPM | ||
| Raga Bihag Alap | Terry Riley, Brooklyn Raga Massive | C Major | 1 | 8B | 87 BPM | ||
| Barren Heart | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| Two Studies on Ancient Greek Scales: 1) Olympos' Pentatonic 2) Archytas' Enharmonic | Harry Partch, Kronos Quartet | C Minor | 0 | 5A | 88 BPM | ||
| Birthdays | Lil Keep Safe | A Minor | 4 | 8A | 117 BPM | ||
| Hosianna-Mantra | Popol Vuh | F Minor | 4 | 4A | 170 BPM | ||
| Plays John Cassavetes 2 | Ekkehard Ehlers | G Major | 5 | 9B | 69 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Traveller In The Wonderland | Susumu Yokota | A Major | 3 | 11B | 94 BPM | ||
| Travellers 1, 2, 3 | Meredith Monk | F Major | 1 | 7B | 131 BPM | ||
| Cells 35-41 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 110 BPM | ||
| Guitars Out of Control | Marina Frescobaldi | E♭ Major | 3 | 5B | 33 BPM | ||
| Invocation of the Silent Stars | Arjun Tara | E Minor | 0 | 9A | 73 BPM | ||
| Das Biotop im Traum und in der Wirklichkeit | Läuten der Seele | D♭ Major | 1 | 3B | 133 BPM | ||
| Cells 17-21 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Weird Dream | Harmonia & Eno '76 | D Major | 2 | 10B | 117 BPM | ||
| Closeness | Saryed | D♭ Major | 9 | 3B | 84 BPM | ||
| The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | D Major | 1 | 10B | 103 BPM | ||
| Before Meaning Comes | Ian William Craig | B Major | 1 | 1B | 130 BPM | ||
| Lower Deck | Daniel Blumberg | D Major | 3 | 10B | 86 BPM | ||
| Piano & Violoncello 15 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 131 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Delta Rain Dream | Jon Hassell, Brian Eno | F♯ Major | 5 | 2B | 80 BPM | ||
| Maria Mater Dei | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM |