Spastic Ink's 'The Mad Data Race' had a release date set for 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Spastic Ink's "Ink Complete" album is number 1 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Mad Data Race is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Mad Data Race by Spastic Ink to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Damages | Polarization | E Major | 10 | 12B | 140 BPM | ||
| Stressfest | Steve Morse | D Major | 8 | 10B | 166 BPM | ||
| Morbid Tango | Cosmosquad | D♭ Major | 9 | 3B | 93 BPM | ||
| Cylindrical Sea | Animals As Leaders | F♯ Minor | 9 | 11A | 180 BPM | ||
| Encounterparts | Dan Swanö | E Minor | 9 | 9A | 120 BPM | ||
| Nuclear Justice | Conquering Dystopia | B Minor | 10 | 10A | 125 BPM | ||
| Out of the Dirt | Virgil Donati | G Major | 8 | 9B | 140 BPM | ||
| Fischer's Gambit | Gordian Knot | D Minor | 4 | 7A | 130 BPM | ||
| The Scene | Cosmosquad | F Minor | 6 | 4A | 128 BPM | ||
| No Place Like Home | Greg Howe | B Minor | 9 | 10A | 134 BPM | ||
| Moksha | Quadvium | D♭ Minor | 7 | 12A | 107 BPM | ||
| Five Elements | Derek Sherinian | D♭ Minor | 9 | 12A | 118 BPM | ||
| De Praestigiis Daemonum | Stephan Forté | G Minor | 10 | 6A | 120 BPM | ||
| Opus 1 (Theme by Paganini) | Vitalij Kuprij | A Major | 9 | 11B | 100 BPM | ||
| The Anticosmic Overload | Obscura | D Major | 10 | 10B | 112 BPM | ||
| Giant Steps | Panzerballett | F♯ Major | 6 | 2B | 96 BPM | ||
| Will My Screen Door Stop Neptune | Paul Gilbert | A Minor | 8 | 8A | 93 BPM | ||
| Oooo | Steve Vai | D♭ Major | 8 | 3B | 96 BPM | ||
| Childrens Laughter | Anata | F♯ Major | 7 | 2B | 107 BPM | ||
| Inexhaustible Savagery | Conquering Dystopia | D Major | 10 | 10B | 93 BPM | ||
| The Dark Horse | Scale The Summit | A Minor | 10 | 8A | 115 BPM | ||
| Maximilian | Merrow | B♭ Major | 10 | 6B | 110 BPM | ||
| Chrome Castles | Tony MacAlpine | D♭ Major | 10 | 3B | 160 BPM | ||
| Atlantis Part 1. - Apocalypse 1470 B.C. | Derek Sherinian, Brett Garsed, Tony Franklin, Virgil Donati | D♭ Major | 6 | 3B | 167 BPM | ||
| Arithmophobia | Animals As Leaders | B Minor | 10 | 10A | 113 BPM |