"Angels We Have Heard on High (Arr. R. Proulx for Choir)" by Traditional, The Cathedral Singers, Richard Proulx had its release date on January 1, 2003. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 22 in Catholic Classics, Vol. 8: Catholic Christmas Classics by The Cathedral Singers, Richard Proulx. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Angels We Have Heard on High (Arr. R. Proulx for Choir)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Angels We Have Heard on High (Arr. R. Proulx for Choir) by Traditional, The Cathedral Singers, Richard Proulx is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angels from the Realms of Glory (Arr. Ledger) | Traditional, Sir Philip Ledger, Choir of King's College, Cambridge | G Major | 0 | 9B | 87 BPM | ||
| O Little Town of Bethlehem | The Oxford Trinity Choir | F Major | 2 | 7B | 116 BPM | ||
| Merry Christmas, Merry Christmas (from the movie Home Alone 2) | John Williams, Boston Pops Orchestra, Keith Lockhart, John Oliver | B♭ Major | 4 | 6B | 89 BPM | ||
| Gloria in Excelsis Deo | St. Michael's Singers | D Major | 2 | 10B | 84 BPM | ||
| Heavenly Father (Ave Maria, Op. 52 No. 6, D. 839) | Franz Schubert, The Tabernacle Choir at Temple Square, Columbia Symphony Orchestra, Jerold D. Ottley | B♭ Major | 1 | 6B | 85 BPM | ||
| The Hallelujah Chorus | Massed Choir | D Major | 4 | 10B | 102 BPM | ||
| Angles We Have Heard On High | The Baylor University A Capella Choir | G Major | 1 | 9B | 126 BPM | ||
| The Huron Carol | Sofia Kammarkör, Henrik Arlestrand, Robert B. Anderson | G Minor | 1 | 6A | 81 BPM | ||
| O Come, O Come, Emmanuel | Thomas Helmore, John Weaver, Harold Owen, Julie Hoy | G Major | 1 | 9B | 98 BPM | ||
| Believe - From "The Polar Express" | Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
| Adeste Fideles | Benedictines of Mary, Queen of Apostles | D♭ Major | 1 | 3B | 85 BPM | ||
| The First Noel | BYU Combined Choirs, BYU Philharmonic Orchestra | D Major | 2 | 10B | 79 BPM | ||
| The Twelve Days of Christmas | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | B♭ Major | 4 | 6B | 142 BPM | ||
| Veni, veni Emmanuel (Arr. M.J. Trotta) [Live] | BYU Women's Chorus | D Major | 1 | 10B | 65 BPM | ||
| We three kings of Orient are (Arr. Martin Neary) | John Henry Hopkins, Stephen Cleobury, Choir of King's College, Cambridge, Henry Websdale | A Major | 1 | 11B | 104 BPM | ||
| My Lord Has Come | Cathedral Choir | F♯ Major | 1 | 2B | 111 BPM | ||
| O Holy Night | Adolphe Adam, Malakai Bayoh, Schola Cantorum of The Cardinal Vaughan Memorial School, Scott Price, Belgravia Chamber Orchestra | E♭ Major | 2 | 5B | 67 BPM | ||
| God Rest Ye Merry, Gentlemen (Arr. J. Stainer) | Traditional, The Choir of Magdalen College, Oxford, Bill Ives | E Minor | 2 | 9A | 68 BPM | ||
| Of the Father's Love Begotten | Marcus Aurelius Clemens Prudentius | A♭ Major | 9 | 4B | 98 BPM | ||
| O Holy Night (Arr. J. Rutter) | Adolphe Adam, The Cambridge Singers, City of London Sinfonia, John Rutter | E♭ Major | 1 | 5B | 58 BPM | ||
| Adeste fideles (Arr. for Choir & Orchestra by Alice Parker) - Remastered 2023 | John Francis Wade, Atlanta Symphony Orchestra, Robert Shaw | B♭ Major | 0 | 6B | 60 BPM | ||
| Lully, Lulla, Lullay | Philip Stopford, Caroline Halls, Owen Rees | F Minor | 0 | 4A | 86 BPM | ||
| Hosanna (after Johann Pachelbel's Canon in D, P. 37) | The Tabernacle Choir at Temple Square | G Minor | 1 | 6A | 84 BPM | ||
| What Child Is This | Traditional, Benedictines of Mary, Queen of Apostles | C Minor | 0 | 5A | 94 BPM | ||
| We Three Kings | John H. Hopkins Jr., Christpher Willcock, Randall DeBruyn | G Major | 1 | 9B | 48 BPM |