"Mississippi - Live" by Paula Cole had its release date on April 28, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Lilith Fair: A Celebration of Women In Music, Vol. 1 (Live)" album is number 1 out of 25. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Mississippi - Live's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mississippi - Live by Paula Cole to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daddy | Jewel | D♭ Major | 3 | 3B | 115 BPM | ||
| In Spite Of All The Damage | The Be Good Tanyas | G Major | 2 | 9B | 132 BPM | ||
| Bethlehem | Paula Cole | G Major | 3 | 9B | 89 BPM | ||
| I Don't Want to Wait - Live | Paula Cole | F♯ Major | 4 | 2B | 136 BPM | ||
| Ghost Of A Dog | Edie Brickell & New Bohemians | A Minor | 1 | 8A | 107 BPM | ||
| Medication - Acoustic | Garbage | A Major | 4 | 11B | 180 BPM | ||
| Now I Can Die | Nina Gordon | A♭ Major | 7 | 4B | 166 BPM | ||
| At This Point in My Life | Tracy Chapman | A Major | 3 | 11B | 81 BPM | ||
| Gasoline | Jann Arden, Jackson Browne | E♭ Minor | 5 | 2A | 97 BPM | ||
| People And Tables | Sinéad Lohan | B♭ Major | 2 | 6B | 140 BPM | ||
| In the Road | Weeping Tile | A Major | 1 | 11B | 93 BPM | ||
| Pollyanne | Meredith Brooks | A Major | 9 | 11B | 83 BPM | ||
| The Ocean | Dar Williams | D Major | 5 | 10B | 184 BPM | ||
| Birth-Day (Love Made Real) | Suzanne Vega | F♯ Minor | 7 | 11A | 101 BPM | ||
| Caramel | Suzanne Vega | G Major | 2 | 9B | 120 BPM | ||
| Winterblue | Heather Nova | E Minor | 8 | 9A | 167 BPM | ||
| Ode to Billy Joe | Paula Cole | G Major | 2 | 9B | 110 BPM | ||
| A Sorta Fairytale (2023 Remaster) | Tori Amos | F Minor | 5 | 4A | 153 BPM | ||
| I Would Die For You | Jann Arden | C Minor | 4 | 5A | 100 BPM | ||
| Barracuda - Live At The Backstage, Seattle, WA./1994 | Heart | A Major | 9 | 11B | 131 BPM | ||
| South Central Rain | Hem | F Major | 4 | 7B | 145 BPM | ||
| Heal | Heather Nova | D Minor | 2 | 7A | 140 BPM | ||
| Almost | Sarah Harmer | A♭ Major | 5 | 4B | 112 BPM | ||
| Bonnie & Clyde II | Martina Sorbara | G Minor | 8 | 6A | 100 BPM | ||
| Perfect - Acoustic | Alanis Morissette | E Major | 5 | 12B | 154 BPM |