Andrea dei Servi, La Reverdie's 'Non più doglie ebbe Dido' had a release date set for January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "O tu chara sciença: La musique dans la pensée médiévale". In this album, this song's track order is #12. In terms of popularity, Non più doglie ebbe Dido is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Non più doglie ebbe Dido by Andrea dei Servi, La Reverdie having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
| Già risi | Giovanni Girolamo Kapsberger, Gwendoline Blondeel, Quito Gato, Pernelle Marzorati, Mathilde Vialle | F♯ Major | 0 | 2B | 139 BPM | ||
| Livre de Job : Lecture. Job 42, 16 | Choeur grégorien de Paris | B♭ Major | 0 | 6B | 84 BPM | ||
| Guerrero: Trahe me post te | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
| Marin: Aquella sierra nevada | Jose Marin, Jordi Savall | B Major | 0 | 1B | 135 BPM | ||
| Haute chose a en amour | Gillebert de Berneville, Susanne Norin, Brigitte Lesne | A Minor | 2 | 8A | 137 BPM | ||
| Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Ave Maris Stella (A 3) (Himno De Vísperas) | Jordi Savall | C Minor | 1 | 5A | 110 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" | Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 75 BPM | ||
| Josquin: Praeter Rerum Seriem - 2. Virtus Sancti Spiritus Opus | The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 108 BPM | ||
| Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM | ||
| Maria stabat ad momentum (Concerti, 1587) | Andrea Gabrieli, Gabrieli, Paul McCreesh, Timothy Roberts | F Major | 1 | 7B | 70 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Gerle : Newsidler : Scaramella | Heringman | D Major | 1 | 10B | 88 BPM | ||
| Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
| Gintzler : Circumdederunt me | Heringman | D Major | 0 | 10B | 91 BPM | ||
| M. Giles Hoby His Galiard | Jordi Savall, John Dowland | D Minor | 1 | 7A | 110 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Palestrina: Missa Assumpta est Maria - 11. Sanctus | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 76 BPM | ||
| In Excelsis Numine | Folger Consort | F Major | 0 | 7B | 115 BPM | ||
| RitE Majorem Jacobum | Guillaume Dufay, The Monteverdi Choir, John Eliot Gardiner | D Minor | 0 | 7A | 86 BPM | ||
| Missa l'homme armé sexti toni: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | F Major | 1 | 7B | 73 BPM | ||
| Musicha son / Già furon / Ciascun vuol | Francesco Landini, Anna Danilevskaia, Sollazzo Ensemble | A♭ Major | 0 | 4B | 112 BPM |