Sophie Zelmani's 'Aftermath' had a release date set for November 28, 2025. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Aftermath's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 30, so we believe that "Aftermath" is a single. Based on our statistics, Aftermath's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Aftermath by Sophie Zelmani is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sister Dear | Beth Hart | A Major | 3 | 11B | 125 BPM | ||
| Francis Albert | Kristina Train | A Major | 2 | 11B | 81 BPM | ||
| Too late to wait - Original | Nina Hobert | A Major | 2 | 11B | 174 BPM | ||
| El Cóndor Pasa | The Wainwright Sisters | A Major | 2 | 11B | 73 BPM | ||
| Love Itself | Leonard Cohen | F Major | 2 | 7B | 186 BPM | ||
| Three Golden Trees | Frazey Ford | G Minor | 5 | 6A | 113 BPM | ||
| Why | Rebekka Bakken | G Minor | 4 | 6A | 79 BPM | ||
| Never Let You Down | Maria Daines | A Minor | 3 | 8A | 204 BPM | ||
| Quite Emotional (Live) | Madrugada | F♯ Minor | 4 | 11A | 66 BPM | ||
| Work On Me | Joan Osborne | G Major | 4 | 9B | 116 BPM | ||
| Walk Away When You Still Can | April Snow | D♭ Minor | 6 | 12A | 92 BPM | ||
| Coals and Water | Angel Snow | D Major | 2 | 10B | 105 BPM | ||
| Worn Out Shoes | Arthur Pines | G Major | 3 | 9B | 168 BPM | ||
| Where Do We Go? | Dragonborn, Hannah Schneider | F Major | 4 | 7B | 140 BPM | ||
| A Road Too Long | Allan Taylor, Chris Jones, Martin Huch, Christina Lux, Hans-Joerg Mauksch | B Minor | 4 | 10A | 128 BPM | ||
| Help Yourself to Me | Madrugada | D Minor | 5 | 7A | 148 BPM | ||
| The Tide | Dragonborn, Jacob Bellens | A♭ Minor | 7 | 1A | 88 BPM | ||
| She's Wearing Red Tonight | Moa Lignell | A Major | 3 | 11B | 87 BPM | ||
| The Guitar Don't Lie | Tony Joe White | F♯ Minor | 7 | 11A | 137 BPM | ||
| The Train | Sharon Robinson | C Minor | 3 | 5A | 142 BPM | ||
| King of Ashes | David Knopfler | A Major | 3 | 11B | 87 BPM | ||
| Brilliant Mistake | Minor Majority | D Major | 6 | 10B | 148 BPM | ||
| Mechanical Heart | Beth Hart | A Major | 6 | 11B | 78 BPM | ||
| There Was a Time | Allan Taylor, Richie Close, Hans-Joerg Maucksch | D Minor | 2 | 7A | 132 BPM | ||
| Young Girl | John Illsley | B Minor | 4 | 10A | 100 BPM |