The Stokes's 'Chocolatte Cafe' had a release date set for 2014. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Stokes's "Generations (English Tracks)" album is number 1 out of 5. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Chocolatte Cafe is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Chocolatte Cafe by The Stokes to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way to My Heart | Martin D. Jr. | D♭ Minor | 4 | 12A | 98 BPM | ||
| Goodbye To The Ghost | Ste Kelly | E Major | 4 | 12B | 150 BPM | ||
| Bear Claws - The Abbey Road Sessions | The Academic | D Major | 5 | 10B | 180 BPM | ||
| Today | Jackson Carroll | A Major | 8 | 11B | 186 BPM | ||
| Fork in the Road | Fuzzy Face | E Minor | 7 | 9A | 120 BPM | ||
| Not Strong Enough | Tom Boyer | F♯ Minor | 7 | 11A | 144 BPM | ||
| Limbo Flowering | Sky Noir | F♯ Minor | 7 | 11A | 144 BPM | ||
| Shangri-La (Stumblin' Home) | Smith William | F♯ Minor | 7 | 11A | 144 BPM | ||
| Long Game | Déjà vu | F♯ Minor | 7 | 11A | 144 BPM | ||
| Love Revolution | Michael Parma | B Major | 8 | 1B | 79 BPM | ||
| Coulda Been A Good Thing | Spoonfed | F♯ Minor | 7 | 11A | 144 BPM | ||
| Blow them away (OLD AND GREY) | Vincent Groat Music | G Major | 4 | 9B | 82 BPM | ||
| All Dressed Up for the End of the World | Ryan Yingst | E♭ Major | 4 | 5B | 112 BPM | ||
| Keys to the City | Nieko | D♭ Major | 6 | 3B | 128 BPM | ||
| Why Did You Leave Me | 4 NewGen | F♯ Minor | 7 | 11A | 144 BPM | ||
| Like The Rain | Nick Thomas | F♯ Major | 2 | 2B | 95 BPM | ||
| Don't Let Me Go | Chris Hawks | A♭ Minor | 4 | 1A | 120 BPM | ||
| Why | Andrew Fuss | B Major | 6 | 1B | 76 BPM | ||
| The Fiddler & the Dime | Taylor Ross | D♭ Minor | 7 | 12A | 144 BPM | ||
| Big Thoughts | Enoch Harvey | E Major | 6 | 12B | 183 BPM | ||
| Green Felt Kingdom | JADIEL MUSK | F♯ Minor | 7 | 11A | 144 BPM | ||
| How Would It Feel? | Connor Walsh | G Major | 9 | 9B | 148 BPM | ||
| Whiskey and Daffodils | Dave Giles | C Minor | 4 | 5A | 78 BPM | ||
| Don't Ask For Much | Evan Dupell | A Major | 7 | 11B | 126 BPM | ||
| Hey Now! | OurGlassZoo | C Major | 6 | 8B | 150 BPM |