On January 1, 1999, the song "China Boy" was released by Neil Stacey. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. China Boy's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Paris Hot Club Style". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, China Boy's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With China Boy by Neil Stacey having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Altamira | Mark Knopfler, Evelyn Glennie | D Minor | 1 | 7A | 86 BPM | ||
| The Traveller | Allan Taylor, Chris Jones, Frank Fiedler, Dirko Juchem, Eberhard Weber, Andy Irvine | C Major | 3 | 8B | 130 BPM | ||
| My Room | Cesare Picco | D Minor | 0 | 7A | 86 BPM | ||
| Blind-Hearted | Sara K. | B Minor | 3 | 10A | 111 BPM | ||
| Swing 42 | Neil Stacey | C Major | 2 | 8B | 207 BPM | ||
| Staying There | Tord Gustavsen Quartet | F Minor | 2 | 4A | 130 BPM | ||
| L.A. By Bike | Lee Ritenour, Larry Goldings, Melvin Lee Davis, Sonny Emory | D♭ Minor | 6 | 12A | 104 BPM | ||
| Another Day | Dominic Miller, Neil Stacey | G Major | 0 | 9B | 85 BPM | ||
| The Moon Is A Harsh Mistress | Pat Metheny, Charlie Haden | A Minor | 1 | 8A | 138 BPM | ||
| When She Wept | Sam Vloemans | E Minor | 1 | 9A | 97 BPM | ||
| We Had a Sister | Pat Metheny Trio | F♯ Major | 0 | 2B | 94 BPM | ||
| The Echo Of Your Voice | Italian Mandolin Torna A Surriento, Global Village Players, Orquesta Romántica de La Habana | A Major | 1 | 11B | 156 BPM | ||
| Soft Landing | Hadouk Trio, Didier Malherbe, Loy Ehrlich, Steve Shehan | D Minor | 2 | 7A | 60 BPM | ||
| Fine Days | Hattler | A Major | 3 | 11B | 121 BPM | ||
| Colours Of Mercy | Tord Gustavsen Trio | A♭ Major | 0 | 4B | 101 BPM | ||
| Oktoberhavet | Bobo Stenson Trio | G Major | 2 | 9B | 83 BPM | ||
| American Beauty | Gary Stand | C Major | 2 | 8B | 113 BPM | ||
| Rialto Hotel | Nighthawks | D♭ Minor | 2 | 12A | 100 BPM | ||
| Ténèbres | Dominic Miller | B♭ Major | 1 | 6B | 113 BPM | ||
| Secret Rooms | Jacob Karlzon | G Minor | 3 | 6A | 140 BPM | ||
| October | Calle Rasmusson, Kristian Lind, Dalasinfoniettan, Adam Forkelid | F♯ Minor | 3 | 11A | 154 BPM | ||
| Prelude And Fugue In C Sharp (WTK, Book, No. 3), BWV 848 - Arr. Dominic Miller, Nick Patrick: Prelude No. 3 for clavier | Johann Sebastian Bach, Dominic Miller, Chris Botti, James Banbury | D Minor | 3 | 7A | 81 BPM | ||
| To the Bar and Back | Nighthawks | A Minor | 5 | 8A | 113 BPM | ||
| Song for You | Kyle Eastwood | F Minor | 8 | 4A | 98 BPM | ||
| Laku Noc | Neil Stacey | B♭ Major | 2 | 6B | 108 BPM |