Sin Tu Mitad
Raúl Lavié, Eladia Blázquez, Saul Cosentino
Yo Soy el Negro
3:21 June 29, 2003
BPM
76
Key
D♭ Minor
Camelot
12A

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Sin Tu Mitad by Raúl Lavié, Eladia Blázquez, Saul Cosentino Song Details

Raúl Lavié, Eladia Blázquez, Saul Cosentino's ' "Sin Tu Mitad" was released on its scheduled release date, June 29, 2003. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Yo Soy el Negro by Raúl Lavié, Eladia Blázquez. The song's track number on the album is #6 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. Sin Tu Mitad is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

Since Sin Tu Mitad by Raúl Lavié, Eladia Blázquez, Saul Cosentino has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sin Tu Mitad being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.627 dB
Acousticness
84%
Danceability
50%
Energy
58%
Instrumentalness
0%
Liveness
12%
Loudness
91%
Speechiness
4%
Valence
45%

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ISRC
USDHM2110399
Label
L-M Records/RCA Records