"Holy War" by Exit Calm had its release date on September 23, 2013. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 9 in the song's album "The Future Isn't What It Used to Be". In this album, this song's track order is #6. Holy War is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Holy War by Exit Calm having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coming Down - Edit | Dum Dum Girls | D Major | 4 | 10B | 136 BPM | ||
| The Airport | The Twilight Sad | D♭ Major | 7 | 3B | 133 BPM | ||
| Songs About Roses | Owl John | E♭ Minor | 4 | 2A | 122 BPM | ||
| Urban led | Steve Makia | A Major | 6 | 11B | 106 BPM | ||
| Time Between | Bear In Heaven | A♭ Major | 7 | 4B | 125 BPM | ||
| The Weight | Editors | C Major | 8 | 8B | 120 BPM | ||
| Still Falling | The Morning After Girls | G Major | 6 | 9B | 150 BPM | ||
| Keep on Trying | Lanterns on the Lake | B♭ Major | 4 | 6B | 80 BPM | ||
| Open Hearts | The Longcut | D Major | 9 | 10B | 129 BPM | ||
| The Room | The Twilight Sad | E Major | 6 | 12B | 98 BPM | ||
| Generate! Generate! | Johnny Marr | B Minor | 7 | 10A | 153 BPM | ||
| Into the Flood | Great Northern | F♯ Minor | 9 | 11A | 140 BPM | ||
| We Don't Sleep Tonight | Young Empires | D♭ Major | 8 | 3B | 129 BPM | ||
| Don't Look Down | Exit Calm | F Major | 6 | 7B | 104 BPM | ||
| Animal | Racing Glaciers | A Major | 6 | 11B | 124 BPM | ||
| Shock Collar | HUMANIST, Dave Gahan | D♭ Major | 7 | 3B | 128 BPM | ||
| I Became a Prostitute | The Twilight Sad | B♭ Minor | 9 | 3A | 124 BPM | ||
| A.M.A. | Maps | E Minor | 8 | 9A | 101 BPM | ||
| Another Mans Empire | Common Hill | E Minor | 7 | 9A | 81 BPM | ||
| Speechless | Morning Parade | A Minor | 9 | 8A | 134 BPM | ||
| Born To Be | HUMANIST, Peter Hayes | F♯ Major | 5 | 2B | 110 BPM | ||
| Teenage Exorcists | Mogwai | C Major | 9 | 8B | 127 BPM | ||
| Skipping | Eagulls | D♭ Minor | 9 | 12A | 100 BPM | ||
| Alphabet | The Twilight Sad | A♭ Minor | 8 | 1A | 130 BPM | ||
| I Love You, Sleepyhead | Lanterns on the Lake | B Major | 2 | 1B | 110 BPM |