"Come On and Go (arr. C. Martin for wind ensemble)" by Anonymous , Chris Martin, Florida State University Marching Chiefs, Patrick Dunnigan had its release date on October 29, 2013. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Survived Eight Home Games". In this album, this song's track order is #1. In terms of popularity, Come On and Go (arr. C. Martin for wind ensemble) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come On and Go (arr. C. Martin for wind ensemble) by Anonymous , Chris Martin, Florida State University Marching Chiefs, Patrick Dunnigan having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Idiómelon from Matins for the Sunday of the Pharisee and the Publican (Arr. I. Arvanitis) | Kassianí, Alexander Lingas, Cappella Romana | F Major | 2 | 7B | 140 BPM | ||
| Angelorum Carmina | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 71 BPM | ||
| Cantus Officiorum: Antiphona: Rorate caeli | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | F♯ Minor | 1 | 11A | 108 BPM | ||
| Deus Meus et Omnia | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | D Major | 1 | 10B | 107 BPM | ||
| Del Kyriale, Antífona de Procesión: Rex Caelestis | Pro Musica Gregoriana | F♯ Minor | 1 | 11A | 125 BPM | ||
| Congaudeant catholici - Códice Calixtino | Anonymous, Coro De Monjes Del Monasterio De Silos | B♭ Minor | 9 | 3A | 110 BPM | ||
| Cantus Vespertinus Novus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Major | 0 | 8B | 132 BPM | ||
| Introit: Salve mater redemptoris - Salve lux langentium - Salve sine spina - Salve sancta parens | Anonymous, John Dowland, Anonymous 4 | B♭ Minor | 0 | 3A | 99 BPM | ||
| Johann von Gardner, arr: Joulun valovirrelmä (Exapostilarion) | Lumen Valo | E Major | 1 | 12B | 128 BPM | ||
| Dominus Deus Sanctificet Nos - May the Lord God Sanctify Us | Christian Orthodox Chants, Father Nicolas Malek, The Orthodox Church Music Ensemble | D♭ Minor | 0 | 12A | 104 BPM | ||
| Sleep Meditation Gregorian | Choir Of St. Abuscus, Chants of Eternity | D Minor | 2 | 7A | 140 BPM | ||
| Antiphona: Alleluia, Alleluia, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A Major | 2 | 11B | 72 BPM | ||
| MISA IN TE DOMINE SPERAVI: Agnus Dei | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Enchanted Garden (The Strid) | Christopher J A Maloney, Spesh Maloney | G Major | 1 | 9B | 136 BPM | ||
| Sleep Peaceful Spiritual Chant Monks | Choir Of St. Abuscus, Chants of Eternity | F Major | 1 | 7B | 127 BPM | ||
| Hymn "Te lucis ante terminum" | Anonymous, Anonymous 4 | B♭ Minor | 0 | 3A | 75 BPM | ||
| Vigilia in Silentio | The Quiet Monks | F Minor | 2 | 4A | 169 BPM | ||
| O Antiphons | Floriani | F Major | 1 | 7B | 133 BPM | ||
| William Byrd - Gloria | Quire of Voyces | F Minor | 3 | 4A | 84 BPM | ||
| Hymn of Kassiane | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | ||
| O Domine Jesu Christe | Jean Mouton, The Suspicious Cheese Lords | A Major | 1 | 11B | 72 BPM | ||
| Mass of the Day: Trope: Ecce Nomen Domini (Mode V)[].wav | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | B Minor | 2 | 10A | 78 BPM | ||
| Responsorium: O beata trinitas | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
| O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM |