"Will There Really Be A Morning?" by Ricky Ian Gordon, Clare Gormley, Kevin Murphy had its release date on 2002. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Where Morning Lies - Spiritual Songs by Kevin Murphy, Clare Gormley. The song's track number on the album is #19 out of 24 tracks. Based on our data, Australia was the country where this track was produced or recorded. The popularity of Will There Really Be A Morning? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Will There Really Be A Morning? by Ricky Ian Gordon, Clare Gormley, Kevin Murphy has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Will There Really Be A Morning? being at 169 BPM, the half-time would be 84 BPM with a double-time of 338 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Old Maid and the Thief: Scene 1 | Lone Spring Arts | C Major | 1 | 8B | 83 BPM | ||
| Will You? | Scott Frankel, Michael Korie, Christine Ebersole | F Major | 2 | 7B | 85 BPM | ||
| Dear One | Merle Louise, Kirsti Carnahan, Anthony Crivello, Brent Carver | A♭ Major | 1 | 4B | 176 BPM | ||
| I'm Open All Night | Ricky Ian Gordon | F Major | 1 | 7B | 175 BPM | ||
| Sechs Gedichte und Requiem, Op. 90: No. 7, Requiem | Robert Schumann, Hanna-Elisabeth Müller, Juliane Ruf | C Minor | 1 | 5A | 83 BPM | ||
| That'll Show Him | Preshy Marker | C Major | 2 | 8B | 125 BPM | ||
| H.M.S. Pinafore / Act 2: A many years ago | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, Jean Hindmarsh, John Reed, Thomas Round, Joyce Wright, The New Symphony Orchestra Of London, Isidore Godfrey | E Minor | 1 | 9A | 124 BPM | ||
| Is It Really Me? | Harvey Schmidt, Tom Jones, Audra McDonald, Steve Kazee | C Major | 1 | 8B | 96 BPM | ||
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM | ||
| Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
| Considering Matthew Shepard: Passion, 10. Keep It Away From Me (The Wound of Love) | Craig Hella Johnson, Conspirare | A Minor | 2 | 8A | 63 BPM | ||
| Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
| Simple Little Things | Harvey Schmidt, Tom Jones, Audra McDonald, Steve Kazee | G Major | 0 | 9B | 95 BPM | ||
| Journey On | Mark Jacoby, Alan Swann, Eddy Afton, Peter Friedman, Marin Mazzie | B Major | 3 | 1B | 95 BPM | ||
| Johnny One-Note | Gregg Edelman, Judy Blazer | E♭ Major | 4 | 5B | 113 BPM | ||
| Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
| Moonfall Quartet | The Mystery of Edwin Drood - The 2013 New Broadway Cast | G Minor | 5 | 6A | 82 BPM | ||
| Patterns | Richard Maltby Jr., David Shire, Lynne Wintersteller, Patrick S. Brady | E♭ Minor | 1 | 2A | 101 BPM | ||
| An die Nachtigall, D. 497 | Franz Schubert, Renée Fleming, Christoph Eschenbach | G Major | 0 | 9B | 91 BPM | ||
| Auf dem Strom, Op. post 119, D943 | Franz Schubert, Jung Eun Oh, Richard King, Orli Shaham | E Major | 2 | 12B | 86 BPM | ||
| Berlin: Annie Get Your Gun, Act 1: "Moonshine Lullaby" (Annie, Trainman, Waiter, Porter, Chorus) | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Ambrosian Chorus, Carey Wilson, Michael Pearn, Nick Curtis | A♭ Major | 1 | 4B | 106 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| Palomma 'e notte | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | F Major | 2 | 7B | 89 BPM | ||
| Love Can't Happen | Brent Barrett | D♭ Major | 4 | 3B | 80 BPM |