Charles Gounod, Plácido Domingo, Georges Prêtre, Orchestre de l'Opéra National de Paris's 'Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, "Avant de quitter ces lieux … Pardon! … Hein?" (Valentin, Wagner, Choeur, Méphistophélès)' had a release date set for 1979. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Gounod, Georges Prêtre, Orchestre de l'Opéra National de Paris's "Gounod: Faust" album is number 8 out of 56. In terms of popularity, Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, "Avant de quitter ces lieux … Pardon! … Hein?" (Valentin, Wagner, Choeur, Méphistophélès) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, "Avant de quitter ces lieux … Pardon! … Hein?" (Valentin, Wagner, Choeur, Méphistophélès) by Charles Gounod, Plácido Domingo, Georges Prêtre, Orchestre de l'Opéra National de Paris to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Thaïs, Act II: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 172 BPM | ||
| Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
| Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Der Freischütz, J. 277, Act III: Und ob die Wolke sie verhülle | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 135 BPM | ||
| Main Theme (From "Schindler's List") | John Williams, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Minor | 1 | 7A | 87 BPM | ||
| Overture | Gioachino Rossini, Prague Sinfonia Orchestra, Christian Benda | E Major | 1 | 12B | 102 BPM | ||
| Suite for Variety Orchestra: Waltz 2 (Arr. for 12 Cellos) | Dmitri Shostakovich, Die 12 Cellisten der Berliner Philharmoniker | C Minor | 1 | 5A | 181 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
| Ave Maria, CG 89 (Arr. C. Thomas for Cello and Piano) | Charles Gounod, Johann Sebastian Bach, Camille Thomas, Julien Brocal | C Major | 1 | 8B | 85 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | ||
| Romeo and Juliette: Prologue: Verone vit jadis deux familles rivales | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | D Major | 0 | 10B | 108 BPM | ||
| Lakmé: Flower Duet (Arr. for Violin and Strings by Vivan & Ketan Bhatti) | Léo Delibes, Esther Abrami | B Major | 1 | 1B | 82 BPM | ||
| Roméo et Juliette, CG 9, Act I: Je veux vivre | Charles Gounod, Jules Barbier, Michel Carré, Katarzyna Dondalska | F Major | 2 | 7B | 58 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Clarinet Concerto in A major, K. 622: Clarinet Concerto in A major, K. 622: II. Adagio | Various Artists, David Shifrin, New York Chamber Symphony, Gerard Schwarz | C Major | 1 | 8B | 92 BPM | ||
| Spiegel im Spiegel | Arvo Pärt, Lisa Batiashvili, Hélène Grimaud | F Major | 0 | 7B | 75 BPM | ||
| Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
| Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | ||
| Schwanengesang, S. 560 (After F. Schubert): No. 4, Ständchen | Franz Liszt, Péter Nagy | D Major | 0 | 10B | 137 BPM |