Ryuichi Sakamoto's ' "thatness and thereness (2019 Remastering)" was released on its scheduled release date, September 25, 2019. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 8 in B-2 Unit (2019 Remastering) by Ryuichi Sakamoto. The popularity of thatness and thereness (2019 Remastering) is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of thatness and thereness (2019 Remastering) by Ryuichi Sakamoto is Presto (very, very fast), since this song has a tempo of 186 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite bergamasque, L. 75: III. Clair de lune (Featured in "Man on Fire") | Claude Debussy, François-Joël Thiollier | D♭ Major | 0 | 3B | 63 BPM | ||
| In Paradisum | Gabriel Fauré, Hayato Sumino | A Minor | 0 | 8A | 98 BPM | ||
| Gymnopédie No. 1 | Erik Satie, Philippe Entremont | G Major | 0 | 9B | 73 BPM | ||
| Marginalia #92 | Masakatsu Takagi | F♯ Minor | 1 | 11A | 128 BPM | ||
| 這樣對大家都好 鋼琴版 | 林生祥 | C Minor | 0 | 5A | 138 BPM | ||
| Opus 23 | Dustin O'Halloran | F♯ Major | 1 | 2B | 101 BPM | ||
| Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Aldo Ciccolini | G Major | 0 | 9B | 81 BPM | ||
| 国宝 | Marihiko Hara | G Minor | 0 | 6A | 76 BPM | ||
| Calm After Light | Naskal | G Major | 0 | 9B | 129 BPM | ||
| Migratory Birds | Takahiro Kido | F Major | 3 | 7B | 146 BPM | ||
| kokoro | Fennesz, Ryuichi Sakamoto | B♭ Minor | 2 | 3A | 81 BPM | ||
| Strata 地層 | Marihiko Hara | F Major | 1 | 7B | 145 BPM | ||
| Written on the Sky | Max Richter | B♭ Minor | 1 | 3A | 136 BPM | ||
| Main Theme Quartet | Takuma Watanabe | B♭ Major | 2 | 6B | 84 BPM | ||
| Nishikigoi | VOLTAGE DRIFT | G Major | 0 | 9B | 129 BPM | ||
| Alma | Jonny Greenwood | C Major | 1 | 8B | 99 BPM | ||
| Uoon I | alva noto, Ryuichi Sakamoto | G Major | 0 | 9B | 96 BPM | ||
| 水色の幻想 | Junichi Kamiyama | E♭ Major | 0 | 5B | 71 BPM | ||
| London | Hi'Spec | E Major | 0 | 12B | 138 BPM | ||
| 满洲里 | 花伦(Hualun) | D♭ Major | 5 | 3B | 164 BPM | ||
| CHANSON POUR MICHELLE - Instrumental | Morelenbaum2, Ryuichi Sakamoto | D♭ Major | 0 | 3B | 98 BPM | ||
| Scene III, Kyoto | 阿部海太郎 | D Minor | 0 | 7A | 125 BPM | ||
| Satori | Daigo Hanada | B♭ Minor | 2 | 3A | 87 BPM | ||
| The Blue Notebooks | Max Richter, Tilda Swinton | G Major | 2 | 9B | 108 BPM | ||
| Happy End | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | F Minor | 1 | 4A | 104 BPM |