Arabinda Muduli's ' "Keonjhar Gadi" was released on its scheduled release date, August 17, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Tarini Maa". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Keonjhar Gadi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Keonjhar Gadi by Arabinda Muduli having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ankh Khule Pe Rahe Badan Pe Sans Na | Satpal Dosa, Mainpal Baseda | E Major | 6 | 12B | 159 BPM | ||
| Emiti Bhakata Nahin | Anasuya Nath | D♭ Major | 7 | 3B | 184 BPM | ||
| Maiya Ho Aaj Tohre Duwreya | Bechan Ram Rajbhar | F♯ Major | 10 | 2B | 149 BPM | ||
| Anya Eka Biswarupa | Prabhupada Mohanty | C Minor | 8 | 5A | 138 BPM | ||
| Baula Phulare Maala Gunthichi | Namita Agrawal | F♯ Minor | 8 | 11A | 98 BPM | ||
| Hari Bola Sange | Bhikhari Bala | E♭ Major | 9 | 5B | 94 BPM | ||
| Jhala Re Jhala Bolbala | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Oh Jadab Oh | Zubeen Garg, Pranita | B Minor | 7 | 10A | 153 BPM | ||
| Swami Shakti | Yogesh Tapasvi | A♭ Major | 6 | 4B | 82 BPM | ||
| KACHI RE MATI NU KODIYU | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Aasa Aasa Mora | Dukhishyam Tripathy | A♭ Minor | 6 | 1A | 164 BPM | ||
| Mun Pani Hele Tu Chandana | Tanisha Panda | A Minor | 8 | 8A | 112 BPM | ||
| Aahe Chakaakhi | Pankaj Jal | C Major | 6 | 8B | 156 BPM | ||
| Sune Chhaliyaei Bhola Bad Dayalu | Kunj Bihari Mishr | A♭ Major | 9 | 4B | 153 BPM | ||
| Kana Kalu Kalia Kana Kalu | Mohamad Aziz | F Minor | 8 | 4A | 159 BPM | ||
| Mazya Nayani Tu Sajani | Yuvraj Pradhan | D♭ Major | 7 | 3B | 150 BPM | ||
| Sasu Majhi Khatyal | Vaishali Samant | E Minor | 9 | 9A | 108 BPM | ||
| Mazya Saichi Ajab Kahani | Omkar Mahadik | B♭ Minor | 8 | 3A | 125 BPM | ||
| Pavana Tiri Ti Punya Nagari | Dattatrya Kadam | B♭ Major | 4 | 6B | 102 BPM | ||
| Bhari De Saburi Kalasha | Kumar Kirti | A♭ Minor | 4 | 1A | 144 BPM | ||
| Allah Malik Haie | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Goga Ji Ki Jot Jagi | Balveer Ranveer Joda Bhai | B♭ Minor | 9 | 3A | 91 BPM | ||
| Jokhon Tomhar Keu Chelo Na | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Dhanya Toro Bankchahani | Narendra Kumar | F Minor | 6 | 4A | 142 BPM | ||
| Sate Ki E Jeeba Jiba | Brajamohan Ji | E♭ Major | 7 | 5B | 91 BPM |