Jimmy LaFave's ' "How It Must Remain" was released on its scheduled release date, July 20, 2010. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 16 in Favorites 1992-2001 by Jimmy LaFave. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. How It Must Remain is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of How It Must Remain by Jimmy LaFave is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Earthquake | The Black Lillies | D♭ Major | 3 | 3B | 164 BPM | ||
| Unforgiven | Bap Kennedy | A Major | 8 | 11B | 136 BPM | ||
| The River Knows Your Name | John Hiatt | F Major | 3 | 7B | 125 BPM | ||
| Kansas City | Otis Gibbs | C Major | 5 | 8B | 118 BPM | ||
| Sleeper | Greg Brown | A Major | 2 | 11B | 97 BPM | ||
| Where Have All the Flowers Gone | Eliza Gilkyson | F Major | 4 | 7B | 104 BPM | ||
| The Color of a Cloudy Day | Shelby Lynne, Allison Moorer | G Major | 3 | 9B | 106 BPM | ||
| Streets Of Baltimore | The Little Willies | A Major | 5 | 11B | 124 BPM | ||
| Love Is Our Cross To Bear | John Gorka | C Minor | 1 | 5A | 137 BPM | ||
| Sweet Home Chicago | Randy Garibay, Marcia Ball, Gary Primich, Maryann Price, Jimmy LaFave, Jason Roberts, Cindy Cashdollar and Herb Remington, Dale Watson, Asleep At The Wheel, Two High String Band, Red Dirt Rangers, The LeRoi Brothers, Steve James | G Major | 7 | 9B | 105 BPM | ||
| Rumble Doll | Patti Scialfa | B♭ Major | 4 | 6B | 109 BPM | ||
| Holding Up the Sky | Buddy & Julie Miller | G Major | 5 | 9B | 135 BPM | ||
| Senor (Tales Of Yankee Power) | Richard Shindell | C Minor | 2 | 5A | 145 BPM | ||
| The Glass Knows | Oliver Woolaver | E Major | 3 | 12B | 78 BPM | ||
| Longest Days | John Mellencamp | F♯ Minor | 5 | 11A | 97 BPM | ||
| Beyond The Wall - Radio Edit | Kris Dane | E Major | 3 | 12B | 78 BPM | ||
| Till I'm Too Old to Die Young (feat. Fats Kaplin) | Kieran Kane, Kevin Welch, Fats Kaplin | D Major | 3 | 10B | 81 BPM | ||
| Car Outside | Jimmy LaFave | G Major | 5 | 9B | 140 BPM | ||
| Feel Like Going Home | The Notting Hillbillies | D Major | 1 | 10B | 134 BPM | ||
| The Water is Wide | John Gorka | D Major | 1 | 10B | 143 BPM | ||
| The Ballad of Little Blackie | David Knopfler | C Major | 3 | 8B | 81 BPM | ||
| Wildflowers | Chris Hillman | E Major | 5 | 12B | 101 BPM | ||
| Hard Promises to Keep | Kimmie Rhodes | G Major | 2 | 9B | 91 BPM | ||
| I'll Carry for You | Chip Taylor | A Major | 2 | 11B | 82 BPM | ||
| Come Tomorrow | Patti Scialfa | A Major | 4 | 11B | 117 BPM |