"Salve Regina Mater mire" by John Dunstable, La Reverdie had its release date on May 6, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in La Reverdie's "Lux Laetitiae" album is number 4 out of 12. On top of that, France appears to be the country where this track was created. Salve Regina Mater mire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Salve Regina Mater mire by John Dunstable, La Reverdie to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Finale: In principio | Hildegard von Bingen, Sequentia | A Minor | 0 | 8A | 78 BPM | ||
| O Virgo splendens (canon a 3 & monodic) | Jordi Savall | A Minor | 3 | 8A | 74 BPM | ||
| The Beloved: II. Quam Pulcra Es | John Dunstable, Lionheart | B Major | 0 | 1B | 89 BPM | ||
| Kyrie, JD 1 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| O Tébe Ráduyetsia | Rev Dr Ivan Moody, Cappella Romana | B Minor | 1 | 10A | 110 BPM | ||
| O Virgo splendens (canon a 2 i a 3) | Jordi Savall | G Minor | 3 | 6A | 79 BPM | ||
| I' fu' già bianch'uccel | Donato da Cascia, La Reverdie | G Minor | 1 | 6A | 98 BPM | ||
| Messe de Nostre Dame: Ite missa est | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 66 BPM | ||
| Recercar con obligo di cantar la quinta parte senza toccarla, F12.44 | Girolamo Frescobaldi, Anne Magouët, Kaoli Isshiki-Didier, Edwige Parat, Alice Duport-Percier, Franck Poitrineau, Volny Hostiou, Anne-Marie Blondel | G Minor | 1 | 6A | 138 BPM | ||
| Sancta Maria, succurre miseris | John Dunstable, Andrew Kirkman, The Binchois Consort | E♭ Major | 1 | 5B | 67 BPM | ||
| Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 135 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| Reges Tharsis | John Sheppard, Choir of Clare College, Cambridge, Graham Ross, Alexander Porteous | A Minor | 1 | 8A | 69 BPM | ||
| Idiómelon from Matins for the Sunday of the Pharisee and the Publican (Arr. I. Arvanitis) | Kassianí, Alexander Lingas, Cappella Romana | F Major | 2 | 7B | 140 BPM | ||
| Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Du tout plongiet/Fors seulement | Antoine Brumel, The Clerks' Group, Edward Wickham | C Minor | 1 | 5A | 82 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Der Schwan | Diederik van der Laag, Sophia Chamber Choir, Oleksii Shamrytskyi | F Minor | 1 | 4A | 73 BPM | ||
| Praise the Lord | Kiev Chamber Choir | F Major | 3 | 7B | 142 BPM | ||
| Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
| O Virgo prudentissima: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Missa l'homme armé sexti toni: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | F Major | 1 | 7B | 73 BPM |