Leal Brito, Ubirajara Silva, Três Marias, Djalma Ferreira, Trio Surdina's 'Pé de Manacá / Tá Hí' had a release date set for September 5, 1956. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Pé de Manacá / Tá Hí's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "No Mundo do Baião, Vol. 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Nicaragua. In terms of popularity, Pé de Manacá / Tá Hí is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Pé de Manacá / Tá Hí by Leal Brito, Ubirajara Silva, Três Marias, Djalma Ferreira, Trio Surdina having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serene Nights | Work & Jazz | C Major | 1 | 8B | 90 BPM | ||
| Samba do Avião | Alfredo Cardim Trio | F Minor | 2 | 4A | 89 BPM | ||
| Arena Dorada | Emily Smith | E Minor | 3 | 9A | 120 BPM | ||
| Paradise Found | João Donato | G Major | 2 | 9B | 115 BPM | ||
| Cocktail and Jazz | MellowMate | C Major | 1 | 8B | 116 BPM | ||
| Ruby | Ronnie Aldrich and his 2 pianos | F Minor | 2 | 4A | 101 BPM | ||
| Crescent Club | No Flat Grooves | B♭ Minor | 1 | 3A | 69 BPM | ||
| Measured Fragments | Loungeframe | G Major | 1 | 9B | 98 BPM | ||
| Darling, Je Vous Aime Beaucoup | Junior Mance | D♭ Major | 1 | 3B | 129 BPM | ||
| Billion Creations Pt. VIII | Satrassa | A♭ Major | 1 | 4B | 80 BPM | ||
| Lisbon Pillars | Cubalibre Jazz | G Minor | 1 | 6A | 63 BPM | ||
| I Touch the Dark | Cat Cabaret | E♭ Minor | 2 | 2A | 100 BPM | ||
| Coffee Shadow | Pause maybe? | C Minor | 1 | 5A | 169 BPM | ||
| Last Train Swing | Diner Express | G Major | 2 | 9B | 111 BPM | ||
| Opus No. 5 | Craig Davis, John Clayton, Jeff Hamilton | D Major | 2 | 10B | 60 BPM | ||
| Dear Heart | Henrry Mancini, Ray Evans, Jay Livingston, Orquestra Românticos de Cuba | D Major | 3 | 10B | 99 BPM | ||
| Horn Nights | Horn Society | G Major | 5 | 9B | 89 BPM | ||
| Loneliness in the Café | Diva Noir | B♭ Major | 1 | 6B | 81 BPM | ||
| Warmed by Silence | The Jazzest | E♭ Major | 1 | 5B | 94 BPM | ||
| Le notti di Cabiria: Aspettando giorgio | Nino Rota, Studio Orchestra | B♭ Major | 3 | 6B | 91 BPM | ||
| Lilian | Leal Brito | D♭ Major | 5 | 3B | 118 BPM | ||
| My Huckleberry Friend | Mia Brentano, Benyamin Nuss, Max Nyberg | G Major | 4 | 9B | 111 BPM | ||
| Note of Autumn | MellowMate | C Minor | 0 | 5A | 108 BPM | ||
| Under a Blanket of Blue | Eiji Kitamura | E♭ Major | 1 | 5B | 108 BPM | ||
| Bye Bye Blues | David Fasch | C Major | 1 | 8B | 116 BPM |