Connie Smith's ' "The Hurtin's All Over" was released on its scheduled release date, 1967. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Hurtin's All Over's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Downtown Country by Connie Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Hurtin's All Over is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Hurtin's All Over by Connie Smith is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Break the Heart That Loves You | Margo Smith | A♭ Major | 3 | 4B | 81 BPM | ||
| Close All the Honky Tonks | Charlie Walker | A Major | 6 | 11B | 158 BPM | ||
| Just For What I Am | Connie Smith | A Major | 4 | 11B | 115 BPM | ||
| I've Got to Get Peter Off Your Mind | Vernon Oxford | D Major | 4 | 10B | 127 BPM | ||
| Still | Bill Anderson | A♭ Major | 1 | 4B | 95 BPM | ||
| If I Can't Have You | Jeannie Seely | A Major | 2 | 11B | 103 BPM | ||
| Before I'm Over You | Loretta Lynn | D♭ Major | 4 | 3B | 125 BPM | ||
| Sweet Lovin' | Claude King | G Major | 5 | 9B | 185 BPM | ||
| How Great Thou Art | Connie Smith | F Major | 3 | 7B | 79 BPM | ||
| High on a Hilltop | Tommy Collins | E Major | 3 | 12B | 103 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 99 BPM | ||
| Hello, I'm a Jukebox | George Kent, Diana Duke | A Major | 4 | 11B | 110 BPM | ||
| Don't Come Home a' Drinkin' (With Lovin' On Your Mind) | Norma Jean | B♭ Major | 4 | 6B | 159 BPM | ||
| Yes Mr. Peters | Roy Drusky, Priscilla Mitchell | A Major | 3 | 11B | 105 BPM | ||
| Baby's Back Again | Connie Smith | C Major | 5 | 8B | 80 BPM | ||
| It Couldn't Have Been Any Better | Johnny Duncan | G Major | 5 | 9B | 126 BPM | ||
| Release Me - 1954 Single Version | Kitty Wells | D♭ Major | 2 | 3B | 122 BPM | ||
| Seven Lonely Days | Jean Shepard | G Major | 5 | 9B | 190 BPM | ||
| Don't Touch Me | Jeannie Seely | E Major | 1 | 12B | 106 BPM | ||
| Somebody Hold Me - Studio | Narvel Felts | C Major | 5 | 8B | 176 BPM | ||
| I'm Already Blue - Original Recording | The Kendalls | D♭ Major | 3 | 3B | 178 BPM | ||
| My Elusive Dreams | David Houston, Tammy Wynette | C Major | 3 | 8B | 103 BPM | ||
| I'll Be There (If You Ever Want Me) | Connie Smith | D Major | 7 | 10B | 88 BPM | ||
| Sally Was a Good Old Girl | Hank Cochran | E Major | 8 | 12B | 172 BPM | ||
| I Never Once Stopped Loving You | Connie Smith | B Major | 4 | 1B | 102 BPM |