"I Pagliacci, Act II Scene 1: I Pagliacci, mio marito" by Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic had its release date on February 19, 2021. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lucine Amara, Franco Corelli, Tito Gobbi's "Leoncavallo: I Pagliacci" album is number 18 out of 24. On top of that, United States appears to be the country where this track was created. I Pagliacci, Act II Scene 1: I Pagliacci, mio marito is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Pagliacci, Act II Scene 1: I Pagliacci, mio marito by Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puccini: Turandot, Act 1: "Silenzio, olà!" (Le ancelle di Turandot, Coro, Calaf, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michele Pertusi, Rakhsha Ramezani Melami, Valentina Iannotta, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Minor | 0 | 10A | 88 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Lohengrin, WWV 75: Act I: Seht hin! Sie naht, die hart Beklagte! | Richard Wagner, Lucine Amara, Jerome Hines, Alfred Nash Patterson, Erich Leinsdorf | E Major | 4 | 12B | 82 BPM | ||
| Un ballo in maschera / Act 1: "Posa in pace" | Giuseppe Verdi, Leonardo Monreale, Nicolas Christou, Helen Donath, Luciano Pavarotti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | ||
| L'elisir d'amore / Act 2: "Ai perigli della guerra...qua la mano giovinotto" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, English Chamber Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 87 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Imple superna gratia | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Major | 2 | 1B | 86 BPM | ||
| Eugene Onegin, Op. 24, TH 5 (Sung in English), Act I: He Comes! He! Onegin | Pyotr Ilyich Tchaikovsky, Lucine Amara, Metropolitan Opera Orchestra, Dimitri Mitropoulos, George London | F Major | 2 | 7B | 81 BPM | ||
| I Pagliacci, Act II Scene 1: No, I Pagliaccio, non son | Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic | F Major | 3 | 7B | 62 BPM | ||
| I Pagliacci, Act I Scene 2: Cammina adagio e li sorprenderai! | Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic | F Major | 3 | 7B | 62 BPM | ||
| Pagliacci, IRL 11, Act I: "Nedda! - Silvio!" (Silvio, Nedda) | Ruggiero Leoncavallo, Metropolitan Opera Orchestra, Dimitri Mitropoulos, Mario Sereni, Lucine Amara | D♭ Major | 1 | 3B | 120 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
| Massenet: Manon, Act 3: "N'est-ce plus ma main que cette main presse ?" (Manon, Des Grieux) | Jules Massenet, Victoria de los Ángeles, Henri Legay, Pierre Monteux, Orchestre Du Theatre National De L'Opera Comique | C Minor | 1 | 5A | 77 BPM | ||
| I Pagliacci, Act II Scene 1: Arlecchin!....Colombina! | Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic | F Major | 3 | 7B | 62 BPM | ||
| Le Nozze di Figaro: Aprite, presto aprite - O guarda il demonietto! | Wolfgang Amadeus Mozart, Roberta Peters, Mildred Miller, Kim Borg, Lucine Amara, Erich Leinsdorf | E Major | 2 | 12B | 69 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| L'elisir d'amore / Act I: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM | ||
| Das Rheingold: Weia! Waga! Woge, du Welle | Richard Wagner, Metropolitan Opera Orchestra, Fritz Stiedry, Erna Berger, Lucine Amara, Herta Glaz, Lawrence Davidson | F Major | 3 | 7B | 90 BPM | ||
| Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | ||
| Pagliacci: Un tal gioco, credetemi | Ruggero Leoncavallo, Franco Corelli, Lucine Amara, Nello Santi | C Major | 1 | 8B | 112 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Via, caro sposino" (Norina, Pasquale) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 3 | 8B | 120 BPM | ||
| Messa da Requiem: II. Dies irae: Recordare. Lo stesso tempo | Giuseppe Verdi, Eugene Ormandy, Maureen Forrester, Lucine Amara, Philadelphia Orchestra | B♭ Minor | 2 | 3A | 108 BPM | ||
| La traviata, Act II: Pura, siccome un angelo – Non sapete – un dì, quando le veneri | Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 2 | 3A | 85 BPM | ||
| Serenade to Music (From "The Merchant of Venice, Act V, Scene 1"): "Soft stillness and the night" | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, Lili Chookasian, Jennie Tourel, Shirley Verrett-Carter, Richard Tucker, Charles Bressler, Jon Vickers, George London, Ezio Flagello, Donald Bell, Adele Addison, Lucine Amara, Eileen Farrell, Shirley Verrett | D Major | 0 | 10B | 96 BPM | ||
| Götterdämmerung: Entzücket ihr zu euch den zottigen Gesellen | Richard Wagner, Metropolitan Opera Orchestra, Fritz Stiedry, Set Svanholm, Erna Berger, Lucine Amara, Herta Glaz | F♯ Major | 4 | 2B | 85 BPM |