"Sub-Level 3" by James Horner, London Symphony Orchestra had its release date on October 25, 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 24 in Aliens: The Deluxe Edition (Original Motion Picture Soundtrack) by James Horner, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sub-Level 3 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sub-Level 3 by James Horner, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Revealed - Star Trek VI/Soundtrack Version | Cliff Eidelman | B Minor | 0 | 10A | 87 BPM | ||
| Holy Water (Main Title #1) | Harry Sukman | A Minor | 3 | 8A | 120 BPM | ||
| Eyes on the Enterprise | Nami Melumad | C Major | 1 | 8B | 147 BPM | ||
| Dark Discovery / Newt's Horror | James Horner, London Symphony Orchestra | E Minor | 0 | 9A | 115 BPM | ||
| Saavedro's Theme | Jack Wall | E Minor | 1 | 9A | 93 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| Searching | Benjamin Wallfisch | B♭ Minor | 5 | 3A | 83 BPM | ||
| Klingons - From "Star Trek: The Search For Spock" Soundtrack | James Horner | E Major | 4 | 12B | 110 BPM | ||
| Into The River | David Newman | D Major | 0 | 10B | 70 BPM | ||
| Genesis Countdown | James Horner | E Major | 4 | 12B | 83 BPM | ||
| Alice Runs to Light | Harry Manfredini | G Major | 1 | 9B | 67 BPM | ||
| We Toil With No Respite | Company of Heroes, Cris Velasco | F Major | 0 | 7B | 173 BPM | ||
| XX121 | Benjamin Wallfisch | B Minor | 3 | 10A | 85 BPM | ||
| Command Override | Jed Kurzel | G Major | 2 | 9B | 120 BPM | ||
| Scrambled Message | Blake Neely | D♭ Major | 4 | 3B | 92 BPM | ||
| Going In | Marc Streitenfeld | C Major | 0 | 8B | 105 BPM | ||
| Firenze Di Notte | Martin Tillmann, Mel Wesson, The Lyndhurst Orchestra, Gavin Greenaway | D Major | 6 | 10B | 66 BPM | ||
| Suite From Emancipation | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Den of Vice | Atticus Ross | E♭ Minor | 1 | 2A | 174 BPM | ||
| Suite From Within The Serpent's Grasp | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Spores | Jed Kurzel | G Major | 2 | 9B | 85 BPM | ||
| Battle Stations! | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Pruebas In Situ | Bellum Sanctus | A Minor | 2 | 8A | 150 BPM | ||
| Not Human | Marc Streitenfeld | A Minor | 3 | 8A | 65 BPM | ||
| Ripley's Rescue - Percussion Only | James Horner, London Symphony Orchestra | D♭ Minor | 7 | 12A | 144 BPM |