"Suite One: Shadows and Spirits" by Imogen Heap, Martin Lowe had its release date on November 2, 2018. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Suite One: Shadows and Spirits's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "The Music of Harry Potter and the Cursed Child - In Four Contemporary Suites". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Suite One: Shadows and Spirits's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite One: Shadows and Spirits by Imogen Heap, Martin Lowe having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Showdown with Grandfather | Dario Marianelli | F Major | 3 | 7B | 139 BPM | ||
| Telemiscommunications - John Roman Remix | deadmau5, Imogen Heap, John Roman | D♭ Major | 7 | 3B | 128 BPM | ||
| Cosmic Background | Chris Warner, Grace Davidson, Edmund Aldhouse | B♭ Major | 2 | 6B | 78 BPM | ||
| Bat Hunt | George Fenton | D♭ Minor | 5 | 12A | 140 BPM | ||
| The Battle for Bright Moon | Sunna Wehrmeijer | F Major | 3 | 7B | 63 BPM | ||
| Suite Four: Godric's Hollow | Imogen Heap | B♭ Major | 2 | 6B | 63 BPM | ||
| Release Trailer | Theophany, David Peacock | D Major | 5 | 10B | 120 BPM | ||
| Privy Council | Martin Phipps | D♭ Major | 0 | 3B | 92 BPM | ||
| The Boy Who Forgave | Mark Isham, Michael D. Simon | F♯ Minor | 4 | 11A | 124 BPM | ||
| Moving On | Murray Gold | C Minor | 2 | 5A | 182 BPM | ||
| Taken to St Aggeles | David Hirschfelder | D♭ Major | 4 | 3B | 106 BPM | ||
| Niskayuna | Daniel Blumberg | D Minor | 0 | 7A | 137 BPM | ||
| The Trail We Leave Behind | Oleksa Lozowchuk | B Minor | 1 | 10A | 83 BPM | ||
| Remember Your Oath | Samuel Sim | C Major | 2 | 8B | 120 BPM | ||
| A Darkling Filament | Jessica Curry | D Major | 3 | 10B | 83 BPM | ||
| Interstellar Wind | Chris Warner, Grace Davidson, Edmund Aldhouse | F♯ Minor | 3 | 11A | 84 BPM | ||
| Atlantis | Steven Price | A♭ Major | 1 | 4B | 107 BPM | ||
| Deeds Unseen | Vincent Diamante | D♭ Major | 4 | 3B | 116 BPM | ||
| Wicked Eyes and Wicked Hearts | Trevor Morris | F Major | 3 | 7B | 154 BPM | ||
| Mutiny! | Thomas Newman | A♭ Major | 3 | 4B | 81 BPM | ||
| Traversing Planes | Lorne Balfe | G Major | 4 | 9B | 120 BPM | ||
| The Prelude (Final Fantasy) | Nobuo Uematsu, The White Mages, Peter Broderick | D Minor | 0 | 7A | 137 BPM | ||
| First Strike | Pinar Toprak | F Minor | 8 | 4A | 97 BPM | ||
| Poking Above the Surface | Vincent Diamante | D♭ Major | 4 | 3B | 116 BPM | ||
| Streets of New York | Rupert Gregson-Williams | D Major | 1 | 10B | 120 BPM |