吉沢梨絵's ' "FOR REAL" was released on its scheduled release date, February 24, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "SWEET REVENGE". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Japan. FOR REAL is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With FOR REAL by 吉沢梨絵 having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mou Warau Shikanai | Eri Hiramatsu | A♭ Major | 10 | 4B | 120 BPM | ||
| そっとMIDNIGHT | Takao Kisugi | C Minor | 6 | 5A | 140 BPM | ||
| SUNRISE HIGHWAY | Tatsuhiko Yamamoto | D Minor | 8 | 7A | 163 BPM | ||
| 終幕(フィナーレ) | Yuko Hara | D Minor | 6 | 7A | 136 BPM | ||
| 瞳・元気 | Mariko Nagai | F Major | 6 | 7B | 120 BPM | ||
| きっと 何時の日か | Sing Like Talking | C Major | 4 | 8B | 111 BPM | ||
| 恋人と別れる50の方法 | Satoshi Ikeda | A♭ Minor | 9 | 1A | 130 BPM | ||
| Love Reborn | Toshinobu Kubota | A Minor | 3 | 8A | 130 BPM | ||
| もう一度夜を止めて | Kenjiro Sakiya | E Major | 5 | 12B | 134 BPM | ||
| うまく言えないけど | To Be Continued | B♭ Major | 6 | 6B | 105 BPM | ||
| Modorenai Michi | Eri Hiramatsu | B Major | 5 | 1B | 204 BPM | ||
| セプテンバ-物語 | 児島未散 | A Minor | 6 | 8A | 116 BPM | ||
| 冬のステーション | Look | D Major | 6 | 10B | 100 BPM | ||
| ALL OF YOU | 吉沢梨絵 | D♭ Major | 9 | 3B | 95 BPM | ||
| さよならと言われて | Noriko Matsumoto | B♭ Major | 5 | 6B | 134 BPM | ||
| Be True | Ayumi Nakamura | E Major | 8 | 12B | 107 BPM | ||
| Wake up to the love | 角松 敏生 | D Major | 7 | 10B | 130 BPM | ||
| APOLLO | Senri Oe | B Major | 8 | 1B | 130 BPM | ||
| High Roller | Toshinobu Kubota | F♯ Minor | 10 | 11A | 120 BPM | ||
| MUSICに肩よせて | Kanako Wada | F Major | 6 | 7B | 117 BPM | ||
| Suteki na Renaissance | Eri Hiramatsu | F Minor | 8 | 4A | 145 BPM | ||
| CHEERS FOR YOU | 中山美穂 | D♭ Major | 9 | 3B | 120 BPM | ||
| これからのI Love You | 中山美穂 | A Major | 5 | 11B | 138 BPM | ||
| CLOSE YOUR EYES | Yasuhiro Abe | A♭ Major | 6 | 4B | 90 BPM | ||
| 1000万ドルのSmile | Irohane MUSIC STUDIO | G Major | 8 | 9B | 122 BPM |