Off Course's ' "メドレー" was released on its scheduled release date, September 21, 1982. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "NEXT SOUND TRACK". In this album, this song's track order is #1. In terms of popularity, メドレー is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With メドレー by Off Course having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 遠くで汽笛を聞きながら | ALICE | D♭ Major | 6 | 3B | 146 BPM | ||
| おだやかな構図 | Takao Kisugi | B♭ Major | 3 | 6B | 90 BPM | ||
| 煙草のけむり | Mayumi Itsuwa | A Major | 8 | 11B | 87 BPM | ||
| 千の夜と一つの朝 | Ellis | A♭ Major | 5 | 4B | 79 BPM | ||
| 祈り | Tateki Kobayashi | F Major | 4 | 7B | 130 BPM | ||
| トラブル・メーカー | Yoko Minamino | D Major | 8 | 10B | 166 BPM | ||
| Special Delivery 〜特別航空便〜 | Mariya Takeuchi | B Major | 8 | 1B | 117 BPM | ||
| なごり雪 | Kosetsu Minami | F Major | 4 | 7B | 134 BPM | ||
| NIGHT LIFE | Motoharu Sano | C Major | 9 | 8B | 123 BPM | ||
| 漂々 | Ichiro Shimoda | F Major | 4 | 7B | 136 BPM | ||
| センチメンタル・ナイト | George Yanagi | E Minor | 4 | 9A | 91 BPM | ||
| 愛こそすべて | Kosetsu Minami | C Major | 8 | 8B | 120 BPM | ||
| Suteki na Renaissance | Eri Hiramatsu | F Minor | 8 | 4A | 145 BPM | ||
| バカンスはいつも雨 | Masamichi Sugi | C Major | 8 | 8B | 129 BPM | ||
| あれから君は | Off Course | G Minor | 6 | 6A | 125 BPM | ||
| すこしだけ やさしく - Bonus Track | Hiroko Yakushimaru | A♭ Major | 6 | 4B | 115 BPM | ||
| 夜明けのMEW | Kyoko Koizumi | E Minor | 6 | 9A | 115 BPM | ||
| 愛して愛して愛しちゃったのよ | 原 由子 & 稲村オーケストラ | D Minor | 10 | 7A | 140 BPM | ||
| バスルームから愛をこめて | Kumiko Yamashita | D♭ Major | 3 | 3B | 82 BPM | ||
| 涙はどこへいったの | Yoko Minamino | A Major | 9 | 11B | 124 BPM | ||
| あじさいのうた | Yuko Hara | C Major | 6 | 8B | 124 BPM | ||
| さくらのバラード | Chieko Baisho | G Minor | 4 | 6A | 90 BPM | ||
| モナリザの秘密 | Hiromi Go | A♭ Minor | 5 | 1A | 126 BPM | ||
| グッドラック・アンド・グッドバイ | Yuki Okazaki | G Major | 3 | 9B | 76 BPM | ||
| 通りゃんせ | Kimihiko Sato | G Major | 0 | 9B | 121 BPM |