Koshinder Rishipal's ' "Baat Pakki Samjhe Part 7" was released on its scheduled release date, May 17, 2021. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 2 out of 8 in Andhe Ka Vyah Vol 1 by Koshinder Rishipal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Baat Pakki Samjhe Part 7 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Baat Pakki Samjhe Part 7 by Koshinder Rishipal is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kati Kate Na Suni Ratiya | JaiSingh Raja, Rani Kushwaha | F♯ Minor | 3 | 11A | 129 BPM | ||
| Chori Bhel Chori Hammar | Hemkant Jha | F Major | 9 | 7B | 87 BPM | ||
| Bahe Jab Jab Purwaiya | Guddi Gilahari | F Minor | 7 | 4A | 133 BPM | ||
| Tadi Tadi Mai Rum Jau Re | Sawari Bai | E♭ Major | 9 | 5B | 115 BPM | ||
| Launch Kaili Market Me | Sudhir Lal Yadav | A♭ Minor | 9 | 1A | 179 BPM | ||
| Jahajiya Dhala A Raja Ji | Sarvesh Singh, Rekha Ragini | D♭ Major | 10 | 3B | 110 BPM | ||
| Maskewale Baba Badhshah Peer Qawwali | Jayesh Parab | F♯ Minor | 9 | 11A | 180 BPM | ||
| Jija Bikchu So Raho Khaye | Naresh Gurjar | D Minor | 9 | 7A | 148 BPM | ||
| Naag Lapeta | Rani Rangili | D♭ Minor | 10 | 12A | 104 BPM | ||
| Kaha Gaya Chhora Part 6 | Koshinder Rishipal | F♯ Major | 6 | 2B | 78 BPM | ||
| Gadh Jasol Su Kagaj Aayo | Kheta Khan | F Major | 8 | 7B | 137 BPM | ||
| Hum Gaadi Se Jehe Padal Na Jehe | Leeladhar Raikwar | A♭ Major | 9 | 4B | 79 BPM | ||
| Hath Ke Lakir Me | Sudhir Lal Yadav, Kavita Yadav | A♭ Minor | 8 | 1A | 81 BPM | ||
| Kiss Sohni Mahiwal Prem Kahani | Tarun Baliyan | C Minor | 9 | 5A | 78 BPM | ||
| Teri Deewani Radha Rani | Brijesh Shastri | D♭ Major | 10 | 3B | 100 BPM | ||
| Main Mar Gi Balaji | Narendra Kaushik | A Major | 9 | 11B | 72 BPM | ||
| Chand Rajab Ka Cham Cham Chamke | Juned Sultani, Deewana Enterprises | E♭ Major | 8 | 5B | 125 BPM | ||
| Gher Lao Sa Banna Ne Dhoondh Lao Sa | Kheta Khan, Asha Vaishnav | F Minor | 7 | 4A | 88 BPM | ||
| Gulab Singh Ji Bhomiya Ji Bhajan | Kheta Khan | E Major | 10 | 12B | 120 BPM | ||
| Bhola Bhang Tumhari | Koshinder Rishipal, Sunita, Brahmpal, Satpal, Karampal Ramniwas | C Minor | 3 | 5A | 174 BPM | ||
| Bhabhi Matke Mat Chobare Pe | Suresh Gola | D Major | 9 | 10B | 160 BPM | ||
| Charo Taraf Dekha Part 5 | Swami Aadhar Chaitanya | A Major | 5 | 11B | 132 BPM | ||
| Sheva Karat Lugai Ki | Soniya Studio | F Minor | 8 | 4A | 138 BPM | ||
| Ghoom Jamana Dekh Liya Par Mila Koi | Mahendra Sharma | G Major | 7 | 9B | 119 BPM | ||
| Kaise Hoga Aana Aj Karun Ka Duar | Mainpal Baseda, Satpal Dosa | F♯ Minor | 6 | 11A | 80 BPM |